This movie is a Seaman. For a Seaman lover, it is so in line with Seaman's story, character setting and plot promotion. After watching the movie, I can't wait to find a book to read.
Compared with mainland romance novels, Seaman is full of high sexual attraction from beginning to end. Continental Xiaoyan focuses on emotional entanglements, it must be that one of the men and women is going to die, it must be that one of the men and women does not love, it must be that one of the men and women dies without expressing their love in their hearts, and then misunderstandings add slander, doubts add to them. Be conceited, Shengsheng wants to break up a pair of beautiful women. And Seaman, in addition to having a funny female partner and a male partner, basically has nothing to worry about. The labels of romance include magic moment, distant starry sky, thriller, suspense, childhood sweetheart, spring breeze, once court marquis, wealthy family, gangsters, grievances, rivers and lakes, grievances, three religions, nine streams, exotic romance, knights and swords, a special liking for swordsmanship, sadness, joy, and deep love between friends and family, etc. And the label of "deep sadomasochism" is almost never seen in Seaman. Seaman's labels are "Love in American History", "Love in British History", "Regency Period", "Pioneering Period", and now can add another "Love in Australian History".
In Seaman, when the hero and heroine meet, there must be sparks everywhere. The male lead's hormones are dripping down, and the female lead's sexiness cannot be covered by any clothes. This movie does a really good job of it. Nicole came on stage, in a tight narrow skirt and high heels, and walked on the wharf with her waist twisted, and a man on the wharf was watching. The captain's lustful, salty pig's hand is the phantom limb in the hearts of all the men present. And Hugh Jackman bathed topless on the campsite at night, turned his back to the camera, and washed the soap bubbles off his body with a bucket of water. The muscle movement made Nicole sleepless in the tent that night.
Another point of Seaman's story is that a mission must be accomplished. Julie Garwood is trying to manage a castle, Susan Elizabeth Phillips is trying to unravel a knot, Amanda Quick is trying to find out why her aunt and aunt died mysteriously, and Linda Howard is investigating a serial murder case. Xiaoyan does nothing, just talk about love as a meal. This is why I like to watch Seaman rather than Xiaoyan, because men and women have to eat in addition to falling in love, and in addition to watching how calm a man is and how calm a woman is, they also need to add some other condiments. For example, in the process of flirting and hooking up, you can solve a case, trip a bad guy, know the structure of a castle, and cook a bowl of chicken soup for the soul. The writers of Mainland Xiaoyan are all girls in their 20s and 30s, while the writers of Seaman are mostly mature women in their 40s and 50s. Even grandmothers in their 60s and 70s, such as Barbara Kadran, the British aristocratic grandmother, who has been writing until her 90s, has written more than 700 romance novels in her lifetime. There are two different things written by experienced and inexperienced people.
As mentioned above, in addition to fighting between men and women, the Seaman story also needs to complete a task side by side. In this film, there are also tasks that must be completed: the first half of the film is to drive a herd of cattle from the ranch to the port and sell them to the army. The side makes the food; the second half is for the bad guys to die.
Many years ago, I read an inch-and-a-half-thick western cattle-driving novel, The Lonely Dove. The entire book, which won the Pulitzer Prize for Fiction in 1986, was about a few Montana cowboys and how to put them together. A herd of cattle rushed to a military base to cook them steak. So seeing this scene in this movie is not unfamiliar at all. In the long journey, men and women naturally have to develop some feelings. This is a perfect setting, not to mention that there is no second person in this group to choose from. Old people, children, indigenous people, indigenous women, young strong and handsome Caucasian men, young beautiful and slim Caucasian women. Except for him and her, it's raw wasteland and raw passion. Connaught is bigger than Australia, which is the stage and tent for them. Including the invasion of whites and persecution of indigenous peoples, including World War II, including the forced acceptance of the stripping of indigenous cultures by missionaries. For a romance novel or movie, there is enough content.
Those episodes that happened just, arrived just in time, and were missed by a second can be completely ignored in a romantic movie.
Nicole's style in this play is full of Chinese sentiments. She wears a transparent short-sleeved silk cheongsam with a petticoat. The skin above the chest is looming under the black gauze, and the hairpins on the temples are snow-white gardenias. Generally, Western women don’t look good in a cheongsam. The shoulders are too wide, the chest is too high, the hips are too plump, and the legs are too thick, but Nicole’s slender, slender and tall figure is really like a flower of interpretation. What is rare is that the director knows what flowers to choose to match her black safflower transparent silk cheongsam. Gardenia with cheongsam, what a Shanghai beach style.
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