No matter how deep your subject is, I just hate endings that aren't happy

Malachi 2022-04-10 09:01:09

It stands to reason that I should give it five stars, but in the end, the scene of Edward, the heartless man, pretending to be cool and abandoning Wendy was really unacceptable to me.

The steel world, the real world, the one-way door, the two-way door, the formation, the artificial man. . There is some confusion. It seems that the door cannot be opened without the android. According to the plot, the only android who has come to the real world is Envy, and it has been consumed as a non-renewable raw material. And even if there is an artificial human as the raw material for refining, the probability of opening the door in one direction is very low, after all, it depends on the completion of the refining formation.

Alchemist, refining into formations, refining into raw materials. Three elements to open the door.
There are only three fathers of the Edward family who actually have the ability to open the door. The evil queen in the film is also considered a leader in the field of occultism in the real world, and only successfully opened the door once by accident. But I have reason to believe that the successful one was also opened by the effect of the formation of the Hoinheim test in Envy's mouth. Open the door, the human factor can be ignored.
Form a formation, for the same reason as above. Her Lady Queen, the master of mysticism, has only developed a semi-finished product, and the possibility of others getting a complete formation is only with Brother Edward. The formation factor is ignored.
There is only one android as the raw material, which has been used by Hoinheim to train the channel, and the raw material factor is ignored.
In terms of probability, the probability of the door opening again is infinitely close to zero.

Well, here comes the question. Why does Edward insist on going to the real world to close the door? The answer is clear. Not because of his fraternal spirit of sacrificing for all mankind, nor his senseless spirit in the face of unknown dangers. He came to the real world for only one purpose, that is to open the door one day and welcome the sequel of Steelmaking! After all, for the protagonist, the probability problem can also be ignored, there is only certainty in the protagonist.
There is a detail in the film, Edward did not find that his blood and the formation of the formation reaction can open the door, except that there is no other raw material in the formation of his blood. In other words, with Edward's presence, opening the door again became an unquestionable result. After all, our protagonist is still young, and the days ahead are still long.




"Ed, you won't let me wait for you this time."
When I think of that affectionate woman, the resentment in my heart deepens. No matter how strong she is, she just hides her weak side in front of you. The people you love live out of your reach and never see you again. Maybe he will fall in love with someone you don't know, marry, and die. And all you can do is wait. What a painful torment this is!
Classmate Edward, you act handsome for yourself and let the best time of the woman who loves you pass away while waiting alone, you will definitely be punished!

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Extended Reading
  • Phyllis 2022-04-14 09:01:07

    After watching it for more than half of the time, I realized that I had seen it before. I almost forgot about the plot. I just wanted to find a climax. After watching it, I found that there was no climax.

  • Cullen 2022-04-16 09:01:09

    Why didn't you let Wen Li go with you? The ending was good, but a little sad to watch.

Fullmetal Alchemist the Movie: Conqueror of Shamballa quotes

  • Fritz Lang: [refering to a story in a newspaper] This one's very intriguing. It's about a world much like ours, but with a few differences, that exists alongside ours. A "parallel world" you could say. There might be dragons and magic in that world. Or alchemy could have developed there instead of science. The Fritz Lang there might be a criminal, instead of a director. Or maybe even a woman. That's fun to imagine.

    Edward Elric: That's nothing but a dream.

    Fritz Lang: A dream... but which one is the dream, and which one is reality?

    Edward Elric: You'll never know.

  • Alphonse Heiderich: We're real, Edward. We're not just part of your dreams like you thought. I care and I make mistakes. I may not live much longer but I'll still be here. Just don't forget me.