several questions

Augustus 2022-03-23 09:01:46

Bingham is completely a tasteless piece in the film, especially in the last scene, inexplicably do not know who to kill? If he wanted to kill Carl, how did he know that Carl would go to the congressman's office in the first place? Secondly, why didn't the fight be as quick as the last time in the parking lot, instead, he said a lot of nonsense first, and finally caused himself to be killed first? And if you know you're going to face Carl, why not use a pistol at close range, but a rifle? Don't tell me it's because he was an infantryman, he used a pistol in the parking lot scene.

When the female reporter went to the hospital with the Washington Globe's work card hanging brightly on her chest, she bumped into Bingham. The female reporter behind should also be in danger, but she was calm and didn't have anything to do with her. The kid who delivered the pizza looked twice in the dark and was killed.

After Bingham's death, the only witness who could accuse the congressman of stalking Baker was gone; although the photos are still there, the congressman can be said to have been taken by An Point. So what charges are members of parliament charged with?

How did the congressman's wife know that Baker was earning $26,000 a month? Bingham told her? So Bingham is also a double agent? Plus, Carl came up with the pattern on the back of Bingham's shirt from a tattoo on his arm - first, how did he see the killer's back when he was being chased? Secondly, Bingham tattooed his arm based on the pattern on the back of his shirt. Could this be a shocking coincidence? Or does that symbol have any special meaning? The movie didn't tell.

Overall, the plot is patchy and blunt, relying solely on the soundtrack to bluff; the cuts are shredded, giving it an air of inflated feeling. For example, when Carl first met Ann's informant and Dominic, the camera quickly switched between several angles, giving the impression that someone was monitoring their conversation, which turned out to be groundless. I don't like movies that like to whet the audience's appetite. Now that you have enough energy, you must exert your power—making a movie is not selling abduction. Maybe the BBC miniseries will be much better.


ps In the emotional scene at the end of the film, Carl drove out an emotional manuscript with tears in his eyes in front of everyone, which I couldn't have done. Can you?

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Extended Reading
  • Ernie 2022-03-24 09:01:41

    What is presented to the audience is a work with sophisticated techniques, smooth plot, steady rhythm, well-proportioned structure, excellent production and accurate performance.

  • Larissa 2022-04-24 07:01:05

    Media Ethics assignments. It's actually pretty good. The truth reveals a lot of the tangle and decision making dilemmas of being a journalist. Always fighting between being first and being accurate, public right to know and newsworthiness.

State of Play quotes

  • Della Frye: I'm not giving up this story! Sorry... If I could just... I just need a few more days with it, I promise I'm not gonna let you down.

    Cameron Lynne: Oh for Christ's sake. Don't throw those dewey cub-reporter eyes at me, it's nauseating.

    [Rachel McAdams smiles as Mirren is letting her stay on the story]

    Cameron Lynne: Fuck you very much.

    Cal McAffrey: Pleasure.

  • Dominic Foy: How are your beer-getting skills, sweet pea?

    Dominic Foy: You want to go get Uncle Foy a nice frosty?