"Lip" is the most commercial, "I" is the most in-depth exploration, and "Pre" shows the author's best at inner criminal potential and contradictions to the extreme. From one line, Jacques is in this film. The style is more and more focused on realism, but the key expression of the characters' hearts continues the essence of the previous film.
In general, the style and technique are all first-class, but for me it feels similar to last year's Grand Prize "Gomorra (2008)" in Cannes. Appreciation is greater than feeling. So this year, Cannes film critics once gave the highest score, but I had a premonition that the Grand Prize would definitely be enough in terms of style.
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