As far as movies are concerned, this kind of plot has never been my cup of tea, and "Orlando" has been turned around a lot in time and space, which leads to the narration. It's very beautiful, the technique is light, the rhythm is well-proportioned, and the soundtrack and costumes are very well matched.
It was directed at the director and Swinton. SALLY's works are full of sensual effects, such as tango lessons, such as crying people, although feminine but also smooth and generous. I think SALLY is more or less feminist, but feminism is not obtrusive. Swinton is really classic enough, and she's really a magical actress... Only this time I found out that her pair of blue-green pupils have a huge diameter, which added a hazy and gentle charm to Can Ruo Baici's craggy face.
Swinton's temperament can only be described as bizarre, like a man and a woman, both slender and strong, a little ethereal, but not afraid of scrutiny, in short - immortal. So her beauty and ugliness can't be measured by ordinary people's standards...
But in fact, she made me fall in love with her, not a flamboyant "fairy" film like "Narnia", but a very realistic "Massacre Report" ...It's incredible, I didn't feel anything at the beginning, but by the end of the film, I was a little obsessed with her red hair, blue eyes and thin lips, a sharp chin, and a voice that seemed to always be just right. .
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