"Illegal Invasion" - full stop has no future.

Katarina 2022-03-23 09:02:38

"Invasion" is a big-name hype, starring Nicolas Cage in 2011, a new crime film directed by Joe Schumacher, an experienced Hollywood business director. The film's expressive techniques are impeccable, with medium and close-up scenes substituting narrative, smooth editing, and language design. But it's a famous director and a famous actor, but it feels like a bad movie?

Let's look at the whole plot line.

The story begins with a busy gem dealer who is in a hurry to convert jewelry into cash.

Why does he want a lot of cash? When his beautiful wife kissed him and he said "time to go" with a readable look, I intensified my curious malicious suspicions.

By the way, the story tells us that he has a wife, virtuous and beautiful. To have a daughter, rebellious and headstrong, sure, bad, but not hopeless.

When the daughter stayed in the room to brush her temper, the mother said, "child, I love you", and the daughter replied, "I see, Mom, I love you too." When the daughter fled from home and was with her friend, she felt sorry for the loss. Friends said, "For divorce, I guess my mother slept with that lawyer." The daughter replied "maybe you should introduce him to my mother, I guess she needs it".

In other words, the family should not be considered harmonious, of course, or at least the warmth is no longer there.

As the audience, we can guess at will, for example: it is the warmth of the family no longer and the incompleteness of the father's love that makes the daughter willful and rebellious.

The daughter is gone, the robbers come. The robber said: "Sir, I know a lot of things about you, of course I don't know, you have to let me know - for example, what is the security code?"

Why does the robber say "I know everything about you?" He knows it all What? I know that the male owner is rich, has diamonds, and has two family members. Isn't this the basic step for robbers? Know the password? do not know. Do you know the overall layout of the home? not necessarily. So he said this a professional robber showing off his professional ability? The audience will definitely not think so, the audience will think: acquaintances commit crimes.

An acquaintance commits a crime? The old topic of crime movies.

The story is very natural, and the hero began to fight wits and courage with the robbers, trying to deal with it. The exciting part is a very common negotiation rendering, and the plot has a strong tension. The director is skillful and really exciting.

In the middle of the deal, there are a few paragraphs where Cage erupts like a man when his wife might be insulted. Maybe Cage loves his wife very much, maybe it's just that he is very manly and knows that men should be angry at this time.

Cage compromised in the deal, "Let my wife go, the money is yours. Otherwise, you won't get anything, I know, you took off your mask, you don't just want to make money!" I thought, Cage Is really a man, and really loves his wife. At this point, there is nothing to doubt.

In fact, if there is one thing in common among the recent booming movies, it is rich in interpretation, and even two-way possibilities, which can be memorable. And this bear boy Schumacher is a classic closed narrative structure. Does Cage love his wife? Love!

Does the wife love Cage? also love! The specific performance does not need to be elaborated, it can be said that it is almost the whole text.

The wife is very beautiful, her eyes are full of affection, and the surprise in her eyes has not been concealed, when she recognized the young robber. What are we thinking of? An acquaintance commits the crime, an acquaintance of his wife. At this time, because of the many wives in front of me who showed Cage's love, I didn't realize that my wife was unfaithful. I have been giving a kind explanation for the virtuous and beautiful wife: it must be the repairman's unrequited love for the hostess, she died Once the hostess knew his thoughts, she might think of him as her younger brother if she continued to live. It would be fine if the relationship between the wife and the robber was left on the air, but when the "wife reported to the robbers and hoped that they would not harm the lives of their families, when the boss of the robber said, "Serve me, just like serving me. Brother like that. "At the end, when the robber's younger brother asked the hostess tragically, "You never loved me!" "At the time, I knew that my wife had cheated, and there was no room for doubt. The

robber's younger brother was also very scheming. For his obsessive possessiveness with his lover, he involved his brother in right and wrong. Is it wrong to be infatuated? The infatuation of the robber is the most easily forgiven. Well, let's say, there is no room for the robber's brother's love for the hostess, the robber's brother is a smart, amorous, and um, a round character who ignores morals

. When the robber brother learned of his brother's insidious betrayal, how should the brother react? The director did not leave it blank, but blank.

Whether it is the robber's brother's mind or the director's mind is blank, it is unknown.

The elder brother is the eldest, but he is a white-faced person, and even he is a weak image with no desire at all. Cage taunted him, "It turns out I'm not the only one being threatened here." He muttered to his lover as well as himself, "We'll pay you back, we'll take you to Mexico, you'll get rid of drug addiction, right? ?"

However, no matter how brilliant the acting skills are, no matter how successful the characters are, they can't stop the popular and bloody plot.

By the way, there is also a daughter, a daughter is not hopeless, or a daughter who is not stupid. At least not stupid, know to use the opportunity to get rid of the female robber; but not stupid, but when he received the confirmation call from the police station, he was "smart" and professionally canceled the alarm. "We're just having a party, don't tell my parents about a friend's mistake, don't tell my parents." Well, maybe she's wise and experienced and knows that the patrolmen will come, but that's not what I know. Later, I didn't know even more. I mean, the questions in the process of the plot were not explained by the director, but ignored. It’s okay to dig a pit without burying it, but you remind us of the existence of the pit, and show your wise intentions!

The whole movie is the story of a few people in a mansion. That's good, cost savings, in fact, 90% of the cost of the movie is paid for two big names, Nicolas Cage and Nicole Kidman, and the remaining 10% is paid for the mansion rent. The unobtrusive on-camera narration of small scenes also reflects the director's sophistication.

...

In a nutshell: when the actors and directors' renderings are not of inferior quality, there are still bad films. Nine times out of ten, it's a plot problem, maybe the screenwriter's plot setting is not good, or the director's lack of understanding of the plot and insufficient performance.

In this film, I feel that the director is very "classic" in expressing the excitement and rendering he is good at, and in a very "classic" way, he finishes the story; in a very "classic" way, he explains all the contradictions, and the unresolved contradictions do not waste time and money. , I can't even feel their existence; of course, it is very classic to make the characters round. But it ignores the interpretation of the relationship between the characters and the richness of the connotation of digging.

One last word: the story era of full stop movies is over! The ellipsis is king!

Well, probably so.

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Extended Reading
  • Jany 2022-04-21 09:02:52

    The narrative has no tension, the suspense is calm, and it is barely a glance.

  • Duane 2022-04-21 09:02:52

    A complete waste of this card. . .

Trespass quotes

  • [first lines]

    Kyle Miller: I don't understand why we can't continue construction.

  • [last lines]

    Avery Miller: You're going to be okay, Dad.