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youthful and eccentric
Braden 2022-03-23 09:03:28
Love the use of this lens. Instead of directly expressing Batsa, it shows the wheels of the cart pulling behind him rolling; not directly expressing Batsa's expression, but expressing the expression of the people who whipped Batsa. In any accident, the camera is always aimed at Batsa. The girl with thick eyebrows and big eyes in the film. A poignant encounter in Batsana. Its eyes are always calmly watching the world. The abuse suffered by Batsa is not directly described, and its eyes look innocent. The piano music of the soundtrack is crisp and beautiful, and it is said that Schubert is used. This is a movie that is both youthful and eccentric.
Extended Reading
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Vincent 2022-03-27 09:01:21
Probably the most disturbing movie I've seen in recent years. The world's intentional or unintentional bullying and cruelty have created the sacredness of forbearance, silence, escape and resistance. Bresson deliberately stripped off the acting skills, stripped off the sensationalism, and presented the theory of pure cinematic art like doing mathematics, which infinitely magnifies the cruelty of the film. From another point of view, the martial arts masters who can fight blindfolded all over the world are worthy of being the originator of the style of today's European literary films.
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Garry 2022-03-27 09:01:21
Bresson continues brief narrative
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Marie's mother: He is in despair. Comfort him.
[Marie's father turns away]
Priest: You must forgive. Everyone. Much will be forgiven you. You have suffered.
Marie's father: I may suffer less than you think.
Priest: [Reading] God does not foresake forever. He may punish, yet he will have compassion. H does not willingly afflict the children of men.
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Marie: Don't you believe in anything?
Merchant: I believe in what I own. I love money. I hate death.
Marie: You'll die like everyone else.
Merchant: I will bury them all.
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