Strangers are always better

Janiya 2022-03-23 09:02:39

1. They were far away from each other with pink makeup and jade carvings. When they got closer, they found that they were also covered with acne, spots and pits. Strangers are often better than the people around them, because they always show straight suits and hair in fragrant clothes, and you can't see them throwing a bunch of smelly socks and oily pants at home; they are mostly movie cruises with them , The picturesque countryside, but you can't see the dead faces and mechanical movements when they work; the meals are mostly palace champagne, clean glasses and plates, but you can't see their kitchens full of tableware that needs to be cleaned, No one pays attention; talks are always witty and humorous, but you don't see them boringly scrabble after dinner to pass the time... In fact, maybe strangers aren't really cuter, just because they don't know enough, like Fill those unknowns with imaginary beauty, so they become more like angels than the people around them who understand well.
Second, the continuation of lies is not necessarily because some people really believe it, it may just be because no one wants to expose it for various reasons. In this world, there are wise people who are wise and foolish, and there are self-righteous fools.
3. If the affair fails, go back to your own home. It is different from the successful affair in "Long Bridge Last Dream", and they go back to their respective homes. Looking back on the popularity of "Long Bridge Last Dreams", it's really incredible. What is the essential difference between this and "BRIEF ENCOUNTER"? People can be decades earlier. The biggest difference is probably that "Land Dreams of the Covered Bridge" is too glorified of extramarital affairs, and the ending depicts the reincarnation of Plato, and the spiritual love is boundless. And "BRIEF ENCOUTER" warns those young women who are very bored: a man has an extramarital affair, and he can leave at any time without looking back; while a woman fantasizes about the reversal of her lover, she is desperately trying to lie on the rails. As everyone knows, when he turned around, he saw the husband who was sitting quietly at home just now and realized that he turned back to another shore.
4. Why do love stories always come to a bridge? Covered Bridge, Blue Bridge, New Bridge, Magpie Bridge, Broken Bridge, and the little-known village bridge here. Bridges are weird. Connect on the one hand, and block on the other. Seems to be broken. If a love story has to move out of a bridge, I hope it is Zhaozhou Bridge. It may not be romantic enough, but at least it is solid, unlike today's tofu dregs project, which has collapsed before it is completed.

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Extended Reading
  • Enid 2022-03-28 09:01:07

    Whether it's a late epic or this early little style, Lean's films are always emotionally charged. A simple middle-aged story of short-term derailment, which is extremely vivid because of the successful portrayal of details, which is the advantage of British films. As far as I can tell, the heroine's performance is the best in the 1940s, it's real and touching! The end of the tilt lens magic strokes!

  • Timmy 2022-03-30 09:01:06

    Hate to meet each other and cheat in marriage. Art film: Emotional struggle + returning to the family; the heroine's monologue flashback mode is the same as "Spring in a Small Town"; Favorite episode: The male protagonist talks about pneumoconiosis and the female protagonist is ecstatic and says he is like a Child, at the end, the husband said to the lonely wife, "You've been a long way away. Thank you for coming back to me." The Itch of the Year" can form an "ambiguous" triangle. The scene of dating occupying a friend's house in "See You Too Late" triggers the whole story of "Peachy Apartment". Ironically directly reproduced in the middle - the male protagonist goes to the record rack to pick a disc to play.

Brief Encounter quotes

  • Myrtle Bagot: [smacks her on the backside] Albert Godby, how dare you!

    Albert Godby: I couldn't resist it!

    Myrtle Bagot: Oh, well, trouble you for keeping your hands to yourself!

    Albert Godby: Oh, you blushing - oh, you look wonderful when you're angry... just like an avenging angel.

    Myrtle Bagot: I'll give you avenging angel!... Coming in here taking liberties!

    Albert Godby: I thought last Monday, you said you wouldn't object to a friendly little slap.

    Myrtle Bagot: Never mind about last Monday... I'm on duty now. And I should think to what would happen if Mr. Saunders should be looking through the window.

    Albert Godby: Well, if Mr. Saunders happens to be looking through the window its about time he saw something worth looking at.

    Myrtle Bagot: You ought to be ashamed of yourself!

    Albert Godby: Oh, it's high spirit... don't be mad at me.

    Myrtle Bagot: "High spirit" - indeed. Take your tea and be quiet.

    Albert Godby: It's all your fault really.

    Myrtle Bagot: I don't know to what your referring!

    Albert Godby: ...I was thinking about tonight?

    Myrtle Bagot: If you don't learn to behave yourself - there won't be a tonight. Or any other night either.

    Albert Godby: Give us a kiss.

    Myrtle Bagot: I'll do no such thing, the lady might see us!

    Albert Godby: Come on a quick one across the counter!

    Myrtle Bagot: Albert, stop it!

    Albert Godby: [takes hold of her arms] Come on!

    Myrtle Bagot: Let go of me, this minute Albert!

    [he knocks over a plate of something]

    Myrtle Bagot: ...now look at me bamberys all over the floor!

    Bill, First Soldier: [Bill walks in] Just in time - or born in the vestry.

    Myrtle Bagot: You shut your mouth - and help Mr. Godby pick up 'em cakes! Come along now! What are you standing there gaping at?

  • Margaret Jesson: But my birthday's in June, and there aren't any pantomimes in June