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Jarrod 2022-03-24 09:03:31
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Alta 2022-03-17 09:01:08
The awkward positioning is between feature films and documentary films; the awkward analysis is between detailed and profound; the characters are embarrassed, between gossip hints and facts.
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Libbie 2022-03-16 09:01:07
After finally waiting for the film source, it was a version that was completely refilled and dubbed in German, smoothing out the subtle "sense of isolation" created by the interspersed switching of the three languages in the legend, which is not a small loss and regret. Although the film only intercepts the most precarious period and conflicting events in Arendt’s life in the whirlpool of thought persecution, it is very compact and powerful, and it also makes the subject clear and tangible, namely: investigating and thinking about evil, and thinking about it. Rethinking itself.
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Lionel Abel: Who does she think she is? Aristotle?
Mary McCarthy: Unlike all of you, Hannah was actually forced into exile. She was held in a brutal detention camp. Isn't it admirable that she is the only one who can discuss this subject without beating her breast.
Norman: And why do you think that is? Because she's smarter than people with feelings?
Mary McCarthy: Well, in your case, Norman, being smarter is easy. She's more courageous than you are.
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Kurt Blumenfeld: You have no love for Israel? No love for your own people? I can't laugh with you anymore.
Hannah Arendt: But Kurt, you know me. I've never loved any people. Why should I love the Jews? I only love my friends. That's the only love I'm capable of.