Director, because Mao wants to make a bad guy always worry about his mother?

Robb 2022-12-30 21:14:47

The positive character Ma Jun has no worries, no siblings, no wife and children. The only concern is the mother. The director had bad intentions and let her leave her son before the story unfolded, on the grounds that he would not cause trouble to his son.

What a reasonable mother!

He can let go of his hands and feet to catch a thief. And, he has a good reason: "I've been a policeman for so long, have I caught the wrong person? I'll leave that to the judge. My job is... the police catch the thief."

That's a good one In the beginning, for a movie that promotes violence against violence, it gives the perpetrator an absolutely tenable reason. In a modern society that pays attention to the rule of law, violence is not allowed, even in virtual stories. What's more, this film has to face not only the tiny Hong Kong, but also the mainland with huge market potential. However, the mainland is not Hong Kong. If you want to use it to complete the money-making plan, you must follow the rules of the game set up by the people in charge of movies in the mainland. This is the first risk faced by Hong Kong films going north. The market is huge and risks are inevitable. Apart from the actors who made a fortune and ran away, how much did those investors make?

Compared with the films made by Hong Kong filmmakers ten years ago, today's films have changed a lot. If Hong Kong movies ten years ago, when facing the mainland market, they would deliberately say some nasty things in order to win a smile from those in power. Now they have changed their clumsy touts and turned to another, more secretive way to cater to the supervisor's wishes.

Don't say these big and unreasonable words.

If you look at the film from another small angle, it is also quite interesting. From the perspective of the relationship between the pros and cons and the mother, interesting conclusions can be drawn.

Compared with the positive character Ma Jun, the negative character shows the proper interpretation of family affection. Wishing my mother a birthday, getting my mother out of the nursing home, and tying her up with my restless life. Only at the last moment, the mother walked past the fight between the two, and there was a moment of peace in the son's eyes.

Director, because Mao wants to make a bad guy always worry about his mother? Even in times of precariousness.

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