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tour italy
Carter 2022-04-09 08:01:02
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Kelli 2022-04-09 09:01:09
#SIFF2014# Four and a half stars, half stars for the coincidence at the end; taking the confrontation between husband and wife as the entry point, reflecting on the wounds after the war, the corpses are like heavy shackles, forever shackles their conscience; When they are born, they depend on each other and torture each other; through the enlightenment of religion/belief/nature/miracle, they realize the insignificance of human beings and achieve self-transcendence; watching this film is like witnessing the real life of Bergman and Rossellini, which is too cruel.
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Karl 2022-04-20 09:02:55
It is a work in which neorealism enters modernism. In the ancient city of Pompeii, in the catacombs, in the Mount Vesuvius, it is not only the image hint of the emotional state of the couple, but also the spiritual inquiry of the grand history to the individual moment. The traces of all the years are left on the eternal and unchanging land of Naples, life and death, history and individuality, eternity and end... Finally, the momentary emotions still spew out under repeated inquiries.
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Count of Melissa: Your compliment hides the usual veiled criticism, the "dolce far niente."
Katherine Joyce: No, not at all.
Count of Melissa: How do you say "dolce far niente" in English?
Count of Trebisonda: I think they use the Italian phrase, but I think you could translate it as "how sweet to do nothing."
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Countess of Melissa: They say all Neapolitans are indolent. But you tell me, can you call a castaway indolent? In a way, we're all castaways. We have to fight so hard just to stay afloat.
Katherine Joyce: I would say it's a very pleasurable shipwreck.
Duke of Lipoli: Especially when I look into your eyes, stars in the night.
Katherine Joyce: Ha-ha-ha...