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If you I really liked the first two "Kung Fu Panda" movies, so the latest third movie may make your movie-watching fun at a discount. You can't be moved by laughing and laughing all the way, because that little bit of difference is all about the point.
It is true that the second film with the richest and richest plot has a slightly lower score on imdb and Rotten Tomatoes, which is currently a slightly lower score in the entire series, but the situation in the mainland is different. This is probably due to cultural differences. It is even more in line with the Zhou Xingchi movie model that we have watched since childhood. Bao Bao, a panda with a miserable background, was rescued by the sheep fairy like Zhou Xingchi's down-and-out little character, playing Tai Chi to remind us of "Shaolin Soccer", and Jiao A "star girl" like Tiger never abandons him and defends him, all of which really touched our hearts.
In the third part, Po is not the first ignorant teenager who finally realizes his dream, nor is there a great ups and downs in the second part, where he was on the verge of death and rebirth, but for the third time he was given the task of saving the world by the inviolable destiny. The mystery of his life experience was finally completely solved by his biological father who came from afar. Po, who has a sense of belonging in Panda Valley and continues to ask "Who am I", is more like a hero in the era of peace. The audience can't follow him into the gloom and heartache, and they don't follow him into the fairyland to conquer the devil. A Bao's sacrifice of self-sacrifice to save the world could not achieve a shocking effect. There is basically no exciting passage in the first movie where the master induces Po to compete for food to learn martial arts moves - the fight for buns and the amusing each other even have the rhythm of Shaw Brothers martial arts. The presence of the master and the five violent heroes is very low, which greatly reduces the amount of information in the plot, and the reversal of the gods in which all the animals finally perform qigong together is also unconvincing. This time, Po's secondary disease symptoms were even worse. Seeing his father's exaggerated expression when he put on his senior's armor, he was like a big bear in heat.
Just as the fate of characters needs to rise and fall, there is no villain with outstanding personality, and hero films will be out of balance between yin and yang. The first leopard Taro is strong in martial arts and eager to be recognized by his adoptive father. You can't bear to see him perish. The second peacock, Lord Shen, with the dubbing of Gary Oldman's first-class acting skills, is simply twisted and perverted to a height of beauty. But this time the big bull is evil, no matter how strong the qigong is, we don't care if you die or not.
This is the first American animation blockbuster co-produced by Oriental DreamWorks and DreamWorks with the participation of a Chinese team. It should have a more solid Chinese essence, but it is more American-style optimism, and even further confuses Chinese and Japanese cultures. On the contrary, Hans Zimmer's soundtrack continues to maintain a Chinese charm. The global theme song "Try" is sung by Jay Chou and Pai Weijun, and Hans Chen, the guitarist of Taiwan's independent band io, joined in the production and arrangement. This song adds what a kung fu movie should have. rock flavor.
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