I don't think Alzheimer's is equivalent to changing a brain. It may be okay to ask the protagonist to believe that he is a survivor of a concentration camp, but let an old man in his 90s risk traveling thousands of miles. All kinds of dangers to pursue the murderer, how is it possible without the emotional foundation laid by the real past? And after all, he is sober because he has a clear mind and a good ability to act. How can he have his own first half of his life, and the cultural background of his parents and family has never flashed back in his memory pass?
Unless the screenwriter's setting is that he has long repented in his heart, so he subconsciously knows the truth and substitutes himself for the victim to seek revenge for himself... However, I didn't see too many such clues in the play, except that he listened to It is a little far-fetched to say that the homosexual is a survivor and then get down and say sorry.
The acting is great, but the plot is unreliable.
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