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After reading it in one go, it didn't feel long at all. It was the first time I saw Dolan's movie, and I was amazed by Dolan's gorgeous aesthetics. Indulge in it don't want to. The masquerade party and the colorful clothes that fell from the sky during the trip to Black Island were completely like shooting a magazine blockbuster, gorgeous, and I'm going to fall in love with Dolan. I especially like that there are a few shots that go from long shots to close-ups, which are great. That soundtrack was simply, it kept me in that situation. I can only constantly marvel at his talent, his unique style of handling the film, his sense of lens is really good, many small details are very delicate, the background wall of the characters is decorated very carefully, very prominent. The expressions of the characters under his lens always feel that there are some symbols and metaphors in them. The butterfly spit out of the mouth was the deepest impression. The transformation of the characters under the lens is very fast, and there are many close-ups. One point is why our Lawrence is so like our country's Yan Yikuan? More and more like. The heroine was not good at first glance, but later it was pleasing to the eye. I don't think the Chinese translation of Double-sided Lawrence is very good, but I don't know, Eternal? It doesn't seem so. What exactly is the boundary between normality and edge, is it the distance of the sky or the time of ten years? Every morning I wake up thinking, where are you? What are you wearing, what are you doing? There are many reasons why we can't be together even if we love each other. Also, we don't laugh anymore, said the little Buddha. That lamp is really cozy. The relationship between Lawrence and his mother is also a knot in his heart. It is sad to see him on the phone. It's a philosophical question to see them coming out of a bar and wonder why this is a love that can't be faced head on. In Lawrence's class he said this: Is there any literature so great that we can forgive a writer who excludes and victimizes different people, and in another time and space, we may be the victims. I remember this sentence deeply. That rose? Family is fun, baby rose.

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