The tone of [Goddesses] is like the background of the stage, which is gold in the dark, and sadness in the agility; poverty soaks life in mediocrity. In order to make the gold dance in the dark, the heroine tried the most dangerous career and met Love and loss of friendship.
The most powerful thing about this film is the use of contrast. For example, the male protagonist invited the female protagonist to watch his performance, but she didn’t show up for the money. As a result, in his flamboyant dance, the female protagonist was beaten into purple by the gang; Another example is the heroine and her good friend in the junkyard, imagining driving a Ferrari and becoming a bridge for the rich to throw money on the streets of Thailand. All reflect the bitterness of reality and the unreality of dreams. But without a dream, why live in this world? Although she is not good at reading, she thinks that money can change everything. The money is sprinkled from the ceiling like snowflakes to her lying in the bathtub, as if God gave the most devout believers a miracle in the Bible.
However, life rarely has miracles.
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