If you've seen the movie, it's a spoiler if you haven't.

Rhoda 2022-03-25 09:01:07

I just finished watching this movie, and it is the first time to write about the aftermath of the movie. First of all, I believe that the friends who have seen it generally understand the meaning. This movie does not have such a serious brain-burning plot. Just write down a few points of personal observation! The movie satirizes the environment of England and the regime in the 1980s, and I don't know if the director has a deep understanding or experience.

Let me talk about the two views that I personally think about the film. The first is memoirism: Abelin himself is a prince, and what he tells is his own story. His ability to predict events is beyond the normal physical range, and this movie is not a science fiction movie. Abelin has been taking drugs, why? She has been suppressed by her identity and her inability to change the status quo. The woman she loves most has died, and her identity is destined to be inseparable from the prostitute. You can't choose your own path, you can only escape. Identification points, number one he's a detective. I don't quite understand what kind of official the detective was at that time, and the police in England Field were not his subordinates. But he listened to his words very much, including the boss, the leader in Abelin's movies has never been like his attitude towards his subordinates. Second Abelin himself said that his wife died two years ago and the child was born. There is also a scene in the movie where Abelin is taking a shower and dreams that his wife wakes up. The movie doesn't explain anything about Abelin's wife, so why give this shot? Third, when Abelin found out who was killing the prostitutes and went to confront Sir, he was only knocked out. The side shows that the status is noble, and the Jazz dare not attack him. After the fourth case, Abelin was promoted. He did not name the murderer, and no one even knew what he did. This situation can only show that his identity was after someone dealt with his marriage to a prostitute. His future is bright, and no one will ever know he's done these things again. At the end of the fifth movie, Abelyn can't be with Mary in the end, which is also in line with the prince's statement. It didn't matter whether he thought Mary was far away by the sea or wherever, because his wife died herself. Is the sixth sheriff's final scene calling Abelin the prince really that casual? It was said at the beginning of the movie that I gave birth to Jack the Ripper, and it doesn't matter whether the events were real or not. The so-called Jack in the movie is because he kicked the royal family and the prince to solve the problem of seeing the light of death. Then Abelin gave birth to Jack. Who is he? Friends who have seen it, think about it

The rest is a detective's story, and maybe in the end the sheriff is really the prince he calls casually. Abelin was only involved in the incident, and eventually committed suicide because she couldn't see Mary herself. Probably also to protect Mary so that no one will ever know where Mary is.

I'm lazy to write so much, and interested friends can read the discussion.

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Extended Reading
  • Aaliyah 2022-03-24 09:01:39

    When I watched it, I knew it was an adaptation of a real case, but I didn't think so. It was only when I came to London that I found out that JACK and THE RAPPER were very famous.

  • Mireille 2022-04-21 09:01:47

    Forever Johnny Depp, great show

From Hell quotes

  • Liz Stride: [Arrives in pub with Ada] Ah 'ere you are, 'ello girls.

    Mary Kelly: I told you to wait for me.

    Liz Stride: I can't stay in a pub and not 'ave a drink: that's cruel.

  • Polly Nichols: [to her John] All right. We can do it here, but hurry up.

    [they start to undress]

    Polly Nichols: The bobbies are trackin' us!

    Polly's John: Right.

    [he pulls down his pants]

    Polly's John: Gotta get the old man hard first.

    Polly Nichols: Give it here. I'll put it in meself!

    [she grabs his genitals]

    Polly's John: Is that in?

    Polly Nichols: Of course it is. Come on!

    Polly's John: No, it's not. Ya got it stuck between yer bleedin' legs!

    Polly Nichols: [frustratingly] No, I haven't! Come on!

    Polly's John: I knows it when I feels it!

    [they start copulating against the wooden fence]