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Two words after the horse
Cleora 2022-03-27 09:01:20
Every time I watch Ou Rong, I feel that the mechanism is super simple, but I should have thought of more, but the skill is still not good. So I saw the audio-visual symbols about "fragility" everywhere (light, glass, flowers, focus), but I didn't expect that the mechanism of everything is balance: in terms of the physical body, a person plays all the roles, which is itself morbid, and vice versa. It is also true that the morbidity itself is dominated by the instinct to speak for everything and explain everything, even if it ends in failure; narratively speaking, it is unlikely that there will be two or even more omniscient threads. Keep these two points firmly in mind, next time I watch Ou Rong, I will solve the case in 10 minutes.
Extended Reading
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Jeffrey 2022-03-21 09:03:11
There is a bit of a gap in the connection between the two paragraphs before and after, and the transition from the people around the heroine to the heroine herself is easy for the audience to immediately perceive the truth, so the ending is very dry. I like the scene where the three confrontation, the music and the mirror, the atmosphere is high and ghostly. Although the details of the two taking off their shirts to reveal the silk shirt and black silk are not very deliberate, as long as they see it, you can almost understand the director's intention. I really want to complain, what about the good scale? Ha ha!
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Gayle 2022-03-22 09:02:47
Sure enough, you can't get the Palme d'Or. Although it's still Ou Rong's style, bold, sexual, and suspenseful, it always feels like something is missing.
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Chloé Fortin: I am 25 years old and I live alone. Well, not totally alone, I have my cat, Milou. I am currently looking for a job and... it's not easy. I feel stressed... and I say the opposite of what I mean and I do everything wrong...
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Paul Meyer: Hurts where?
Chloé Fortin: In my stomach... For once you speak. When you look at me that way... I feel I exist.