Pure dream talk. . .

Theodore 2022-04-07 08:01:02

1. Hundreds and thousands of times of changing pronunciation, close-ups of common people, Jiang Wen reminds me.

2. The divine power represented by the priest and the emotions shown by Mike make the boundaries between strangers and this group and the heroes of the group clearly defined. You can't call Charles a heroism, but it's definitely a brave inner-responsibility law that will never be betrayed. The new sergeant took his pain, looked for solace, was comforted, and although he said he did not want to make similar sacrifices, he still died on the beach. Ryan is the decent man, showing off his glory, marrying a daughter, entertaining old guests, promoting the secret law of his assistance to the revolution, and having the title of "no problem" source in the UK. Like most of the common people, he was praised a few words (like a national girl being kissed by a national hero), made a choice of conformity, informed him that he was afraid of the same encounter, and struggled to carry the lost weapon. Earning some praise from others, not admitting that he couldn't destroy the Great Wall himself and fighting hard, even if the other side of hope was his own princess, out of shame and unwilling to face the atrocities in front of him, his own sins turned a deaf ear, it was him as an individual in the group The alienation, but also the final homomorphic close-up of this group of people - most of the vulgar people, making fun of (everyday laughing at the shame of wedding sluts) isolation, winning group identity, and not caring what happened; private court, slaughter Sentencing is generally pronounced, but it does not ask whether the justice is late on time or early; the worship is blinded, and the faith resonates, and it is difficult to see whether the saint who has gone far has put on the cloak of Jehovah. Ren's daughter's motives are not well understood, but for the time being, it can be attributed to her nostalgic longing and the characteristics of her belonging to the "superego". But she has always been the threshold of the ethnic group. While carrying the native endowment that Ren's fathers could not get rid of, she ran away to the sea of ​​stars, and put these two sides against each other, but she ended up as a runaway stranger.

3. Beach rescue as if the revolution had succeeded. David Lean's creator-like lens, the spider silk hanging next to the joy field, the roar of the waves under the cliff, the blue smoke on the stone formation, I can't help but sigh, in this never calm place, there is such a rare thing purely. Who will forget the scene of walking alone on the beach - I read your life not far away from your footsteps, and I even know how you used your charming fascination and how lucky you were at that moment. What a beautiful and heartbreaking look of blank time, I love what I know about you, I hate what I know about you.

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Extended Reading
  • Hollie 2022-04-21 09:03:52

    From the standard Lean-style big-picture perspective, I feel that the priest and the fool are more like the protagonists, and the two extremes of being revered and bullied are always isolated. I think Tonadore's filming of Malena is based on this. However, the extramarital affair between the heroine and the major is still not detailed, and it lacks a little rationality.

  • Therese 2022-04-08 09:01:13

    If you want to choose the best epic director of all time, I think David Lean is well-deserved NO.1. In the epic of war and epic of love, in the two epic series, David Lean has left his classic works. Ryan's Daughter is one of David Lean's best romantic epics, with top-notch cinematography, top-notch storytelling, and top-notch characterization.

Ryan's Daughter quotes

  • Mrs. McCardle: [as Rosy walks out of the store] The way I see it, Mrs. Kenyan. There's loose women and there's whores... and, then, there's British soldier's whores!

  • Captain: Well, if it's all the same to you, sir, I'll be straight off. I've given myself leave.

    Randolph Doryan: Yes?

    Captain: Embarkation leave. France. Second Batallion, Southeast Lanchasires... they're in the front line. Will you tell me something, man to man? What's it like, really - front line?

    [Doryan's face expresses discomfort]

    Captain: Aye. Well, I'll find out soon enough. I'm a coward, you see. No, I always have been - from being a lad. I can't master it. Well, I don't suppose I've tried, really. I'd give my left arm to have a touch of what you've got. I hate it! Just the bloody thought of it gives me the shakes. In fact, that's my nightmare, the shakes. I don't mind dying - not if it's quick. Life's not that much, is it? I wouldn't mind having a gammy leg, like you've got - though I don't suppose it's funny. But the shakes? Shellshock? Just shaking and shambling like a... epileptic baby? Nay, I'd rather be dead! I can see what's coming - I'm going to disgrace myself...

    Randolph Doryan: You don't know what you'll do. No one does - you don't know what you're doing?

    Captain: Really? I read what you did in the newspapers. That weren't no flash in the pan - you'd do the same again, I dare say.

    Randolph Doryan: You'd be wrong.

    Captain: Well, you've done your bit - someone else's turn, eh?