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Muriel 2022-03-25 09:01:06
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Daniella 2022-04-21 09:01:45
The only interesting exchange killing is explained in the first fifteen minutes, and the rest becomes the awkwardness of trying to push the story to the end.
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Rudy 2021-11-13 08:01:23
Looking forward to the psychoanalytic ending, but there is no reversal. Xi Pang does not need to rely on reversing to attract attention. The reason why his suspense films are so long and not afraid of spoilers is that he does not rely on conspiracy and tricks. The curiosity is aroused purely by the well-thought-out plot. Suspense is accompanied by comedy and ridicule, which is very British and highly typified. The spectacles reflect on murder, the carousel is in shock, and he insists on the ingenious lens language of each film design. This research spirit is as persistent as he is willing to appear on the scene.
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Bruno Anthony: That reminds me of a *wonderful* idea I had once. I used to put myself to sleep at night - figuring it out. Now, let's say that - that you'd like to get rid of your wife.
Guy Haines: That's a morbid thought.
Bruno Anthony: Oh, no, no, no, no. Just suppose. Let's say you had a very good reason.
Guy Haines: No, let's - let's not say...
Bruno Anthony: No, no! Let's say. Now, you'd be afraid to kill her. You'd get caught. And what would trip you up? The motive. Ah. Now here's my idea.
Guy Haines: I'm afraid I haven't time to listen, Bruno.
Bruno Anthony: Listen, it's so simple, too. Two fellows meet accidentally, like you and me. No connection between them at all. Never saw each other before. Each one has somebody he'd like to get rid of. So they swap murders.
Guy Haines: Swap murders?
Bruno Anthony: Each fellow does the other fellow's murder. Then there's nothing to connect them. Each one has murdered a total stranger. Like you do my murder and I do yours.
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Bruno Anthony: You think my theory is okay, Guy? You like it?
Guy Haines: Sure, sure, Bruno. They're all okay.