At first glance, this film is filled with "sex", but if you look closely, he has to explore far more and deeper than imagined. This film is actually somewhat similar to "There will be no future", but the emotional expression of this film is more direct, and the reason for saying goodbye is different from that of "There will be no future", but the similarity is that it also says "There will be no future" 17 Year-old Tenoch and Julio are inseparable besties. Tenoch is white, the son of a wealthy politician. Julio is a Mexican mixed-race peasant-class family. By chance, I formed a "threesome" with Luisa (Tenoch's sister-in-law), and went to the "mouth of heaven" that I don't know if it exists or not. I especially like road movies because of his "realism", I feel a certain Parts of me seem to be on the journey with them too, and I can always put myself into the plot of the movie. Even in this film, which is full of sex, we should be like this when we are 17 years old, right? Boys always take "sexing a few women" as a kind of "deed", and use it to show off to their brothers. Some girls also feel different because they have been fucked by a few boys. Think back to our 17-year-old no matter what you did What, in a word, I experienced some relatively special things earlier than my peers, as if they have transformed since then (a sense of superiority) Tenoch and Julio are also like this, everyone's 17-year-old is probably similar, right? But what's more different is that the director added another variable: "status class", which made the originally stable balance develop differently. From their relationship, it can be seen that Julio, who is a peasant class, feels inferior to others, and Tenoch also thinks highly of himself because he is a child of a rich family and is white: and the two seem to get along with " You have me and you have me, you don't have me without me" is maintained. The story of this film begins when the two girlfriends travel abroad together. Before the trip, the two couples desperately seize the time to have sex. In the second half of the story, both of them enjoy the opportunity to have sex with Luisa, and even in the end, the two of them are in Luisa's wedding. With help, they hugged and kissed, and these relationships, which were maintained by "weird balance", came back to life after the libido receded. The original balance collapsed due to the psychological imbalance caused by class, and all this was caused by a seemingly unrelated Luisa. Having said that, such a tipping point has always existed, and Luisa is just a person who ignites the fuse: that is to say, such an imbalance will eventually collapse, it's just a matter of sooner or later, and who will be the igniter! Is this the case with us in real life? All we live and live is to find that balance point. Under the situation that the balance may be out of balance at any time, we try to put the right chips as much as possible so that he will not be out of balance. We live to maintain such a balance. of. And the balance in this imbalance may collapse at any time, or it may maintain a seemingly perfect balance throughout his life. I especially liked the director's final arrangement. The two met in a coffee shop, sat down and had a cup of coffee to tell them what was going on, and said: See you next time, but both of them know that this meeting is a goodbye, and it will be impossible to see each other again. Both Tenoch and Julio have grown, but at the cost of a friendship they thought would last a lifetime. There was something in their eyes, maybe it was sadness, maybe it was just sadness, but it was probably not the event itself that touched them, but the fact that there was no sadness in the parting this time. This may be the most stinging thing. .
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