I don't think there is a three-dimensional problem

Jared 2022-04-10 09:01:08

So let's talk about the so-called three-dimensional problem.

The second woman disrespected her before, and deliberately broke Felicity's important objects. As a child, it is normal to have revenge. Although I have reservations about whether literary and artistic works need to conform to the three views, since the three views are mentioned, the focus is not on the actions of specific characters, but on the attitudes of others towards such actions. Felicity's dance teacher, after learning she was impersonating someone else to go to school, offered a direct and harsh criticism of the behavior. The female partner and the female partner's mother, no matter how much they played at that time, also said that Felicity robbed other people's opportunities and changed the fate of others. In other words, Felicity's logical and improper behavior was denied by other characters in the movie, so there is no so-called three-view problem in this movie. As for the dance part, the three views are simply too positive. When Felicity went to school for the first time, she didn't even know how to tie the straps of her pointe shoes, and her movements were messed up. Felicity made progress later because of diligent practice and a rare mentor, not a golden finger. The night before the selection, I didn’t practice, I went to the iron tower with the Russian prince, and the next day I didn’t do the wrestling in the selection. In the end, she won because she practiced hard in the orphanage, and her artistic expression was stronger than that of the female supporting cast. If you pay attention to ballet, you should know that there is no shortage of technical skills, but ballet actors with outstanding acting skills are really hard to find. Only with deep life perception and love can you integrate emotions into actions. Compared with this, Cinderella and the like are the three views that are not right. That is, they can attend in full dress without paying. I pity me. I have worked hard and I can be married by the prince and go home. Continuing to talk about the three aspects of emotion, in the face of the sweet words of the Russian prince, the first reaction of Felice, who is inferior because of her background, was "he must tell everyone this kind of sweet talk", the prince said that he only told Felice She was only happy after someone said it, what a real mood swing. In addition, after the prince was criticized as a childhood sweetheart, the heroine did not dislike the poor and love the rich and forgot her roots, but bravely stood up to protect her childhood sweetheart, saying that the heroine was a foolish person. Are you sure that the foolishness will value and protect the male lead so much? In an idol drama, the male protagonist is already a spare tire. The actress hides her identity as a dancer and then advertises that she has completed all the dances. Portman's actions in the practice room that are so ugly that he can't bear to look directly can be praised by the male protagonist.

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Extended Reading
  • Mazie 2022-04-04 09:01:08

    From the story, there are indeed some places where the logic is far-fetched. The setting of the Russian prince is simply... shameful... (ノ∀` ) But it does not affect the rhythm and visibility of the whole story. In addition, the animation of the dance is very well done, the storytelling is smooth and the camera sense is very strong, and the music is also very suitable.

  • Kiarra 2022-04-02 08:01:01

    It's not really bad, but it's really boring. Totally the level of programming on the Disney Channel. They basically discarded the best things about their cultural idiosyncrasies and unique style to take on Hollywood, which is a bad decision in itself. We Need More Sylvia Chomai, Not Disney Remakes

Leap! quotes

  • Victor: [referring to his crudely built wings] I call them... Chicken Wings!

    Felicie: [frustrated] Chickens... don't... FLY!

  • Luteau: [catches Victor and Felicie on the roof] I'm going to stop this! No one interrupts my nightly face care routine and gets away with it!

    Victor: [bravely] I do!

    Luteau: [outraged] WHAT?

    [Victor picks up Felicie and runs down the roof, with Luteau close behind]

    Luteau: Stop! I can't run that fast! I have delicate ankles!

    [Victor, still carrying Felicie, jumps off the roof and manages to fly away with the help of his 'chicken wings'. Luteau, meanwhile, lands on a lower part of the roof and falls right through]

    Victor: [joyously] One day, everyone will travel like this!

    Felicie: [jokingly] I hope they have barf bags!

    [Luteau pursues them once again, this time on a motorcycle]

    Victor: [to Felicie] We're gonna make the train to Paris!

    [One of his wings suddenly breaks. Victor and Felicie fall and land in a cart full of hay. Felicie's music box falls out of her pocket and bounces out of the cart. The cart slowly starts to roll away with the children in tow]

    Victor: Oh! We're gonna miss the train to Paris!

    Felicie: [shocked] My mother's music box!

    [Victor quickly jumps out of the cart and grabs the music box. Felicie reaches out her hand for Victor, but the cart is now moving too fast for him to keep up]

    Felicie: Victor!

    [notices Luteau chasing them]

    Felicie: He's behind you!

    Luteau: Come here, chicken boy! It's back to the hen house for you!