The expression of fate

Ivah 2021-12-22 08:01:03

As far as I know, what we are trying to find from movies should be things in life that we don't know and grasp exactly. For example, happiness, such as suffering.

"The Price of Fear" is a product of that era, a collision between fanatical dreams of fortune and chaotic reality-thus giving the film a strong atmosphere of the times and traces of emotions, as well as values, ideologies and artistic tendencies.

The first part of the film shows a scene of a small town. There are young people who are eager to leave, there are peaceful town residents, and the protagonist of the film: the tramp. Although the main frame of the story is not this paragraph, it will give me some assumptions: If it is not for making such a film, but starting from a small town, the filming will become "The Man from the Wind Cabinet", and the filming will become "The Platform". What will it look like to become "The Beautiful Legend of Sicily" or "Green Light"? Such a hypothesis is that I myself quite resist those sad movies that show the struggle of small people. I hate the limitation of the sorrow and sorrow of life. It is also a limitation of my personal aesthetics. I am afraid that I am often exposed to the dark side of life. With a cowardly mentality or an avoidance mentality... I think what I hope is not a desperate movie, but hope to see the little happiness in a small life, and it is even better to have a commercial HAPPY ENDING. So I will like some of the little warmth in the film. For example, at the farewell banquet before the homeless people set off, the background sound filled with a blues-scented choking guitar, adding some kind of sadness to the sad story. This is the director expressed in the most objective place. The most subjective attitude.

Combining the situation at the time and setting the environment in South America in the early 1950s, the film reveals a certain expression of fate, not only showing the absurdity of fate, but also the absurdity of personal struggle. The tone is full of reflections on civilization, but the conflicting ending in technique is quite unpleasant. Probably this is the art that French director Henri-Georges Clouzot's likes to express.

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Extended Reading
  • Frieda 2021-12-22 08:01:03

    Waltz tune "Beautiful Blue Danibe".

  • Josianne 2022-04-23 07:02:32

    Reminds me of the road I walked on the edge of the cliff. 2013.08.09~2013.08.10

The Wages of Fear quotes

  • Bill O'Brien: The Hell with the Union! There's plenty of tramps in town, all volunteers. I'm not worried. To get that bonus, they'll carry the entire charge on their backs.

    Bradley: You mean you're gonna put those bums to work?

    Bill O'Brien: Yes, Mr. Bradley, because those bums don't have any union, nor any families. And if they blow up, nobody'll come around bothering me for any contribution.

  • Dick: When I was a kid, I used to see men go off on this kind of jobs... and not come back. When they did, they were wrecks. Their hair had turned white and their hands were shaking like palsy! You don't know what fear is. But you'll see. It's catching, it's catching like small pox! And once you get it, it's for life! So long, boys, and good luck.