I don’t know what the director’s intentions are. In the film, Anton has been in a drunk state after encountering the witch incident. It is not that he is really drunk, but the whole person has been shaking and staggering as if stepping on. It's like cotton. Or maybe the director wants him to be in the gap between the unreality and the real world? When I saw him like this, I kept thinking, is it okay for this person to be like this? It seems that he is about to roll to the side of the road to fall asleep! He is completely insecure. Is it because he is still in the "hero" development period? I really hate this kind of performance. Slimy and uneasy. Plus, the subtitled version that I watched is in Cantonese, which makes me feel bad. (I want to read the normal mandarin ah TAT)
Then Anton went to the next door to borrow blood and was allergic to pig blood (Hey!) Then he entangled Xiao Zhengtai on the subway... It felt like a perverted stalker uncle, embarrassing and charming . Is it different from sexual harassment like "bite your ears" the drunk says, ah, ah, this actor looks pretty when he wears sunglasses, his words and deeds are too awkward! (Speaking of Anton’s opposite guy and Xiaozheng Taiyan as a key figure are also good.)
Anton feels cute when he teases an owl. But... wrapping the owl (female) in a fresh-keeping bag and stuffing it in the cupboard...is it in the original book? ? When he knew Xiao Zhengtai was his son, the expression was also very...wonderful.
Um. The whole film has a fatalistic tone of karma.
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