Then there are some chicken ribs:
1. Not long after the beginning of the article, I talked about the ambiguous spark between Billie and Marilyn in the barber shop. I said it was too sudden, right? ? ? In the last second, everyone was ready to develop the cloth with a concavity and the cloth will declare war on the world. The next second will directly start the close-up of the two people's big faces and the indescribable atmosphere? ? ? Not at all foreshadowing? ? ? I am a very open person. I fully understand homosexuality and think it is normal, but the plot handling of this movie is too abrupt.
2. Is this movie about Battle of the sexes or Billie Jean King? If it's a matter of fact, the performance in the final stage of the finals was too weak, and a lot of long-range shots were used when you were shooting TV broadcasts? It's too scribbled. In the audiovisual language of sports competition, this movie is not even as good as Wimbledom, the popular sports romance movie, or Ah San’s female equal rights movie wrestling father. If you want to talk about Billie, you should also make it clear why she stood out among so many contemporaries and bravely started the affirmative movement, where did her psychological reason for equality come from, and how she ran for this in the second half of her life. All these have a lot to do. So this movie is slightly inadequate whether it talks about things or people.
3. The soundtrack. The soundtrack of the movie is trying to restore the style of the 1960s and 1970s, which shows the director's intentions, but I have to say that sometimes the music and the picture are out of touch. There are many times in the film with a soundtrack similar to last year's "Carol", but there is a suspicion of forcibly using the soundtrack to set off the plot. A good movie soundtrack shouldn’t overwhelm the audience, but it should be so wonderful that you can hardly feel its existence yet suddenly notice it and make a great admiration for it, just like Hans Zimmer’s soundtrack for Interstellar.
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