The three-stage description, Qiang used all those hanging on the wall. The plot and color atmosphere of the story are very good.
The question is, this is a product of the excess of American national consciousness.
In human history, the more advanced civilization is called the conquest of the backward civilization. After that, the backward civilization accepts the more advanced civilization, which has become a well-known law. What's more, Japan's development is exactly the product of the interaction between rigid institutions and anti-institutions. Even outside of the emperor's ten thousand generations, that is a society that is constantly undermining. Let’s talk about why the Americans’ intervention made the Japanese forget their traditions. Wouldn’t their traditions be overthrown? In recent years, due to the Meiji Restoration and the self-assertion of the staff during the Russo-Japanese War and the War of Aggression against China, which one is not obvious? Looking further ahead, the so-called stable Tokugawa dynasty is only 300 years old, and the Sengoku period is the most typical period of Shimoksang.
So taking Heiyu as a gimmick, and letting the black boss say those things, sister can only say that sister is out of the play immediately, she laughs to death. How ignorant it is to dare to write a script like this. How ignorant it is for Americans to dare to say that if the world is less, they won't turn around.
PS: Douglas looks masculine, but why I always have the feeling of looking at the pretending men, is it because of his slightly shrill voice or what's the matter?
Matsuda Yusaku is really too good to say anything.
Generally speaking, it is a rare and good film that Americans have made in the 1980s. Of course, it cannot be compared with the cold and violent film of Sunset Boulevard, but it can be regarded as a god-made film. Of course, it is better not to compare with Kurosawa's film, but it is still a very entertaining film.
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