A modern person seems to be a very simple story, but this simple story has a gimmick that is a picture. It is said that the movie is based on a novel, and the novel is derived from the author's imagination of a picture. To put it aside, in this boring age, it seems that everyone likes to use famous books, famous paintings, celebrities, anyway, all famous as the blueprint for imagining.
There is no dialogue, everything is gentle, and some subtle emotions are expressed through eyes. Vermeer's arrogant and forbearing eyes that are still trying to say nothing, Greet's eyes are sometimes frightened, sometimes firm, sometimes nervous and sometimes mischievous. They all know their own hearts, they don't touch it, just let time flow away so slowly. That emotion is like Greye's always tightly wrapped hair, only once it spreads out, Vermeer is instantly knocked down by it. But what about a painter who is leaning on his wife and mother-in-law, and a maid by the fence? What is waiting for Vermeer is to continue selling paintings for a living, and what is waiting for Greer is a woman who is a butcher, who also works for life.
Let the computer freeze and observe the painting carefully for a long time. Greet's eyes are girlish, naughty, pure, uncertain, without a trace of ambiguity and desire.
I don't like the ending of the movie, but I prefer the ending of the novel. But no matter what, Greer confirmed one thing, that was not the girl's imaginary feelings, it was not the lost desire, Vermeer did indeed love her. Yes, this is enough.
The pearl earrings, like teardrops, dripped in Greet’s heart, and at the same time dripped in Vermeer’s heart...
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