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beginning of the movie is cheerful The rhythm slowly brings the audience into the film, reduces the panic part of the content behind the film, and forms a strong contrast at the same time. The low camera at the beginning, the close-up shot-a pile of groundhogs, a car quickly enters, (cheerful music), and then leaves the country, the camera is raised, from the middle shot to the panoramic view-a wide field of view, a simple picture, but The camera movement in this part is strong enough to attract the audience.
Then on the right side of the picture of the speeding car, the military vehicle enters the mirror, and then a variety of different angles to shoot the car traveling in the military vehicle-there is no gorgeous special effects, only the camera movement, angles, etc., which greatly enriches the lens of the film Here, Spielberg did not introduce the military vehicle directly at the beginning, but started by a group of teenagers driving the car at speed, and molesting the driver of the military vehicle, showing a cheerful rhythm, allowing the audience to quickly enter the film, and at the same time stimulating curiosity to make the audience guess. See what is about to happen. Second, the transition from the sedan to the military vehicle protagonist is smooth, starting with the sedan-dominated picture, which consists of objective shots and subjective shots of soldiers in various military vehicles; the transition phase is the "racing" phase, which explains the lens of these two vehicles. Very average, mostly objective shots. Finally, the car exits from the left of the camera and the military vehicle turns. This "prelude" ends here. Third, the music. At the end of the segment, the cheerful music gradually weakened, and the serious music strengthened and transitioned smoothly. This part is very good, from which we can see the director's profound skills in using the lens.
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