How much anticipation, in the end there is only "nostalgia"

This year there is a model that uses the "nostalgic card" repeatedly, and the "Terminator: Genesis", which is looking for the last backer in China, is a precedent. The film copied many classic shots of "Terminator 1 and 2" directed by Kashen, plus Schwarzenegger, who relied on the old and sold the old, wanted to rely on the "Terminator" fans all over the world to make another profit. The same is true of this "007: Ghost Party", especially after the "007 series copyright owner" Bro Currie family won a long lawsuit with the original 007 co-author McRaleigh in 2013, the producer Barbara- Bloco can justly continue to use the names "Blofeld" (played by Christopher Waltz) and "SPECTRE" in "007"-and this is the "Final BOSS" of the first 12 007 films. And the name of his organization. So we saw in this movie the villain Blofeld, who was completely faceless at first, and his iconic cat.


Without a mass basis for tribute, the gimmick of "Ghost Party Return" is meaningless for regions other than Britain. What's more, nostalgia is not the patent of our Bond. The first three "Craig Bonds" actually have a lot of nostalgia: "Casino Royale" itself is Fleming's first novel; A tribute to "(become a crude beauty); and in "Death to the Sky", Bond even returned to the place where he grew up-"Tianmu Manor." However, in addition to nostalgia and tribute, these three films have made great breakthroughs in action design, character creation and photography style respectively. And this film is only the nostalgic


film itself is passing. But it's really nothing new, and it doesn't surpass the previous one. This film is too formatted. Even if compared with other spy films in the same period, there are no bright spots, no suspense, and no spoilers are good.

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