Tribute to the film crew

Eli 2021-12-14 08:01:13

I support the release of this movie. I am not an anti-American. I burst into tears when I saw the world trade center collapse on the morning of 9.12.
There is a sentence in English that is often used to comfort the broken-hearted: YOU SHOULD MOVE ON. WE SHOULD MOVE ON, EVERY AMERICAN PEOPLE SHOULD MOVE ON. But
if you can’t face reality, how can you move on.
From the point of view of the movie, the filming is very general, the original appearance is restored, this subject, if you want to shoot it, it is not shocking or touching. Possibly. In particular, a lot of the film’s pen and ink was used on the relatives of the passengers on the plane. The suffering and grief they endured had to be calm. They wanted to encourage their lovers or children on the plane, but they were unable to support them on the other end of the phone. These performances are still in place. But the passengers on the plane got together to discuss countermeasures from the discovery of the terrorist conspiracy, and did not describe it in more depth. Even if everyone is ready to rush into the cockpit with weapons, the whole process is simple and quick. In short, I always feel that the image of the passengers on the plane is not full enough. In other
words, the director does have more information about the families of the victims, and only guesses and judgments about the situation on the plane.
However, the film is definitely worth watching. a.
one passenger called TED, he and a staff member Lisa ground to keep in touch phone, before we decided to regain control of the aircraft, he asked Lisa on the phone and pray with him, and together they recite the Bible, every Every passenger can hear that it is seeking the last strength from the Lord. The power to save myself and save the United States. At this time, I finally understand the word-faith.
A mother, she knows that terrorist hijacking is suicidal, She called her son on the plane and calmly told him that the situation was critical and wanted to regain control of the plane. The moment the phone hung up, she burst into tears.
A father said, stop calling the police, and the police will not fly.
A White House official said that if necessary, shoot down united no. 93. The pilot who got the order was unbelievable. He asked twice and told the chief that he could make the plane land by climbing and attacking the flanks. He was using his method to save it. An airplane. At
the end of the film, the large holes created by the airplane in the fields gradually healed during the changing seasons, under the nourishment of spring rain and winter snow, and see green again.
I believe that the trauma that every American has caused in this event is the whole The same is true for the film crew. Many people attacked this film as pure hype and sprinkled salt on people’s wounds. Really? Why didn’t those films filming the Nanjing Massacre have such doubts? I really admire them. The film crew, they have to experience the painful scenes, every human being with normal mentality will feel like a knife when facing these scenes. How, we don’t have the power to speak cold words anymore. The way to
heal the wound is: disinfection, bandaging, and frequent gauze changing. In this process, you may see the wound again, but every time it is better than the last time, in the end, that It will be a fresh scar, but it will gradually fade and fade. Uncovering the gauze is a necessary step.
Every righteous person will not be intimidated by the actions of terrorists, just like the crew of No. 93. They used their lives to tell everyone who survived: BE strong, be brave.

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Extended Reading
  • Melba 2022-03-25 09:01:09

    [A] Another breakthrough of Green Grass under the combination of hand-held photography and quick editing of the signboard. In this film, the "thriller" element was deliberately added. The first half an hour cuts in from the perspective of ordinary life, and promotes the plot slowly and steadily. Then cut into the information point of the hijacking, and constantly pushed the movie-watching mood to the peak, and then broke out in the 9.11 incident. But unlike normal thrillers, the director doesn't give the audience any respite until the end. In the rest of the time, Green Grass once again demonstrated his ability to process excess dialogue information. Hand-held photography and quick editing intervened in the processing of lines all the time, and constantly detonated emotional points from the dual perspective of audio and visual. A plethora of information to keep the audience on their toes in a simple, crude and effective way (depending on who uses it, of course). The top-level mise-en-scene ability in a small space, the intensified camera shake and line information, and the delicate editing point processing have pushed the atmosphere of the film to its climax. However, the handling at the end gave me a great sense of gap. This shock and despair, which are both contrasted by images and reality, made me feel extremely disappointed.

  • Davonte 2021-12-14 08:01:13

    Trying to use a chaotic cabin and a chaotic command post to create a documentary feel. In the hijacking incident in Hotan, Xinjiang, the hijacker was kicked by a few northeastern men as soon as he got up.

United 93 quotes

  • Ahmed Al Nami: [to Saeed in Arabic] The passengers have gone to the back of the plane. They are talking together.

    Saeed Al Ghamdi: [to Ziad in Arabic] What are we going to do? If they are planning an attack.

    Ziad Jarrah: [In Arabic] Oh God! Oh God!

    Saeed Al Ghamdi: [In Arabic] How much longer?

    Ziad Jarrah: [In Arabic] Twenty minutes.

    Ziad Jarrah: [Aruging in Arabic] Twenty minutes? We can't keep going for twenty minutes!

    Ziad Jarrah: [In Arabic] The plane can't go any faster!

  • Todd Beamer: [to Mark Bingham after Ziad Jarrah on purpose causes the plane to lose attitude as it gets closer to Washington D.C] . This is a suicide mission. They are not going to land this plane. They are not going to take us back to the airport. We have to do something. I don't think we have much of a choice.