Watanabe’s only kindness was to let the little ghost Ed take away the puppy Ein, and then the adults began a sober funeral: Spike never looked back, and Jeter understood the old partner’s stinky temper, so he remained silent. It was the second time that Fei had left without saying goodbye-"Because the separation was too uncomfortable, so I left alone." The 15-year-old Feng in "Chowder Samurai" told Renhe Wuhuan this way-but he couldn't find it back. The place, finally threw himself to the BEBOP, but was told that the finale was about to play. However, Fei is not the wind. She can peel oranges at the mummified wounded and eat them by herself and leave the orange peels to him, but she can't honestly admit her unwillingness to leave and be left behind.
The things that Watanabe smashed up, from "COWBOY BEBOP" to "Chowder Samurai" are like this: the few people who always come together between accident and inevitability, have been tacitly laughing and joking all the way without mentioning the past. But all of a sudden all the ripples settled, and we couldn't face the reality that appeared under the rippling waves, and the suddenly frozen face reflected on it-even though I had been hanging my heart, I still didn't dare Pretend to wonder what kind of words such a story should be used to call the curtain, how this kind of travel will end, and how these people can face the inevitable respective things. Between the sound of the samurai’s clogs and the shadows of the swords and swords, I often remind myself of all the very familiar fragments: falling buildings, glass shards, rose petals, minor notes, smiles, back to back, fallen women and flying white doves, And finally, he raised his hand with a "bang" before falling down. At this moment, I have written here. I have not seen the final words of Chowder, and it has been the last century to witness the final scene of CB. "Your grief started from the beginning, but we first faced the end, and then had to move forward in order to satisfy the hunger and thirst of the soul. Those who survived..." Murat said as the legend was about to end Unfinished.
And Watanabe slyly used one trip after another to compile one dream after another for us, but always refused to provide a map of the world after the terminal. Even the CB theatrical version oozes out of the book because of the already written ending. Shouldn't be pervasive sentimental. But the people who survived must set off again, without any support-this is a problem that everyone must face, and perhaps it is also the fundamental meaning of Watanabe's repeated breaks of dreams. That's why I couldn't help thinking about Fei all the time. She most resembles us off-screen, knowing how it feels to be left behind and how helpless she is.
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