0302 Movie viewing record of the beautiful lady in Li Jie (the first movie viewing assignment)

Jettie 2021-12-07 08:01:37

first part:

At the beginning of the movie, a long shot is used to put bombs in, the driving of cars and the Vargas couple are successively displayed in the screen.

The whole movie is mainly in black and white tones, and it is told from the perspective of the detective couple, and an explosion has occurred. At first, I was confused. I thought the idea was that this movie just wanted to tell the story of a murderer. When I went to Sanchis’s room, Quinlan framed him and said that he bought explosives and killed Li Nick. .

What's curious behind is why so many people broke into Susie's room and kidnapped her. From the conversation between Susie and the tenant next door, it can be guessed that the Grandy gangster is going to inject drugs and kidnap Susie.

the second part:

The lines of the woman in the car that exploded have hinted at the possibility of the bomb, that is, the "ticking sound".

Quinlan’s first appearance was mainly to shoot him upside down, while others focused on shooting upside down, expressing the contrast of power, and zooming in on Quinlan’s lens to narrow the distance to his face, which has already shown Quinlan’s An unjust image of a sheriff.

Combined with a piece of piano background music, Quinlan enters a woman's room, talks with her, and combines with the story behind. This woman is Quinlan's former lover.

Susie was illuminated by a flashlight, and the background music was a short piece of music, which set off the tense atmosphere. Through a series of actions, such as twisting off the light bulb and throwing the light bulb, she expressed Susie's anger.

Richto used a piece of gradual music when he was about to escape, which was a bit weird.

Susie stayed in the new hotel. This section used a relaxing background music with the panic of the hotel attendant.

The camera followed Vargos into the street and left a corresponding lens for the car behind. When Vargos made a phone call in the store, the two men behind Beijing were pushing and shoving, and then the camera followed the two men into the room. We only knew It's two of Glendy.

The camera is divided into two perspectives based on Vargos driving. One is the frontal driving perspective. The two people are talking, and the other is the car driving out of the field of view. As the car drove out of the picture, the picture of the movie faded into the hotel where Susie was staying.

From in the Sanchis room, Vargos learned about Quinlan's methods of interrogation, and then he knew Quinlan's style of acting, so that the following plot of Wei found evidence of Quinlan's planting and blaming to pave the way. Then Uncle Joe pulled Quinlan to discuss whether to cooperate to get the Vargas couple.

The whole movie becomes two clues in progress. One is that Susie is kidnapped, and the other is that Vargos is investigating.

In places such as bars, Vargos knocked down all the gangsters of the Glendy family. This should be the only fighting scene in the entire movie. Here, the switch between the front and rear cameras is used to fully express the scene of Vargos fighting. come out.

the third part:

(1) Quinlan and Uncle Joe are in the room. In this scene, the conversation between Quinlan and Uncle Joe went from confessing to each other to Joe calling the police station. Quinlan communicated with Peter to force him to confess Sanchis. After a fight, Quinlan confessed to Joe. After the uncle was strangled, he placed it on the head of Susie's bed. A piece of paper "Forget Anything" was pasted on the door. I think this has the director's own thoughts, but I can't see any plot that corresponds to it. At the same time, in this scene, the background music at the beginning of the movie is still used, and the suffocating head of Uncle Joe in the dark brings the whole plot to a climax.

(2) Vargas, Quinlan and Pete. In this long scene, they are the dialogue between Vargas and Pete, the dialogue between Pete and Quinlan, and the dialogue between Vargas and Quinlan.

Vargas and Pete. In this conversation, Vargos repeatedly emphasized that Quinlan did indeed do evil things, Susie did not do anything to tarnish innocence, and Quinlan’s cane, and Pete’s words had shown that Quinlan did extremely vicious.

Pete and Quinlan. Pete kept asking Quinlan about things. Quinlan said, "You are getting closer and closer to the Mexican now, so you have that stuff on you?" In this scene, the two of them are walking in front, and Vargos is walking. Received the recording at the back, and then arrived at the bridge. Two people were walking on the bridge. Vargos took the tape recorder to receive the signal under the bridge. Due to the bridge, Quinlan heard the sound of the tape recorder, which corresponded to him. Those words.

Vargas and Quinlan. Quinlan beat Pete to death and ran to the bridge to wash his hands. His hands were covered with blood. The conversation between Vargas and him had become a conversation between the winner and the loser, but in the end Quinlan still did not fight. Dead Vargos, perhaps, is this proof that he still has a conscience?

View more about Touch of Evil reviews

Extended Reading
  • Benny 2022-04-22 07:01:26

    Trying to wash away the blood of your companions in the turbid river is like Quinlan's philosophy: to give up money and profit but to judge the world arbitrarily and rudely.

  • Jimmie 2022-04-23 07:02:04

    The bombing on the Mexico-U.S. border connected two police officers from two countries. Orson, who is accustomed to using his intuition to decide cases, used false evidence to arrest the suspect, but Charlton saw through it. At this point in the movie, the bombing at the beginning has become irrelevant. It started a confrontation between the two policemen. Orson goes deeper and deeper to preserve his reputation, and uses Charlton's nemesis to frame his wife. But in the end, the friends around him turned into tainted witnesses. The long shot at the beginning is unforgettable

Touch of Evil quotes

  • Quinlan: I'm no lawyer. I'm no lawyer. All's a lawyer cares about is the law.

  • Ramon Miguel 'Mike' Vargas: You are a policeman, aren't you?

    Quinlan: Aren't you? You don't seem very fond of the job.

    Ramon Miguel 'Mike' Vargas: There are plenty of soldiers who don't like war.