The screen is empty at first. Full-screen black, wheat fields, corridors, subway cars, girls playing piano solo in the classroom. This is a much-loved "sad family" Admired movie. About youth, scars, violence. Since it has been preached so sacred, it has been out of curiosity more than admiration to have been wanting to see it. After more than 20 minutes in the film, I feel a sense of reality and become more and more familiar. Elementary school students, junior high school students, friends, girls, school violence. Although I, and around me, do not have this kind of Japanese youth, I can also see the dark springs of youth and blindness flowing from the movies. It seems that this film has not been imported in China, so it is more difficult to find. I don't know why it wasn't imported. Are you afraid that it will poison Chinese teenagers? So why are books everywhere? In terms of toxic effects, books are not much worse than movies. Actually not very understandable. Because the translation was terrible, and because Shunji Iwai's shooting technique was a bit messy, I couldn't keep up with the jumpiness of his shots. That part of the Okinawa trip used a lot of DV footage, and the footage was shaky and chaotic, much like an ordinary vacation filming, which affected my understanding of this key plot. However, I once thought that if these scenes were deliberately directed by Shunji Iwai, I would feel very disappointed. Because the picture is too real, I don't want it to be fake. I really like Tsuda's posture sitting by the bridge. I like her big white shirt, black shoulder bag, and her series of natural and steady movements. She attracted me as soon as she showed up. Very clean girl. Although by then she was already defiled. Although it was her first time picking up a guest, she looked sophisticated and calm. Although she was still deeply angry with Yuichi for grafting, and desperately stomped on the money she got. When I saw Kuno being raped, I suddenly felt depressed. Out of breath. After stopping the movie for a long time, it still can't be slowed down. The footage of Kuno being hunted by the boys, and Kanzaki watching excitedly from the window, made me wonder, are these young kids in Japan really so brutal? Japan as I know it is a fast-moving society, civilized and tolerant. I feel that their entire nation is shrouded in a layer of separation, getting along with outsiders friendly, but they have always resisted being grasped and understood. Wrap yourself firmly. I thought of "The River of Sadness", the style is very similar. I feel that Xiao Si has imposed this kind of Japanese youth on Chinese teenagers. I am not denying that some teenagers in China have been so cruelly hurt, but I want to show that the sadness of our generation is not enough to "flow against the current" like in the film or book. I feel that Xiao Si is too far away from the current middle school students, and I often read Japanese-style works, so I feel wrong. Although Chinese girls are increasingly affected and become as cruel and ignorant as Kanzaki, they are generally quiet, and we don't need to worry about offending anyone in school. In Japanese schools, it is completely different. Female violence is complete and mature, and at the same time has great power. I think the blues in Japan are much deeper than those of today's middle school students who claim to be on depressants. Their grief is not as pediatric as those of us. Not rivers and seas, but air. Shrouded around, breathing all the time. The increasing suicide rate of Japanese students is directly related to school violence. Their violence is not like our kind of two-man posturing, not pulling hair and kicking a few feet. It's the same as "Sorrow~", even in a more powerful way. is the real devastation. This kind of Japanese youth is morbid in my opinion, but there is a certain beauty in it. It has an atmosphere that tempts us to love and emulate. But I think that in a short period of time, Chinese students cannot learn to do this. The best we can do is fight, take drugs, learn "Young and Dangerous", learn "Sorrow", learn "Summer of Bubble", and use the same "Parents are divorced" acridine, "parents are not in harmony" acridine, pretending to be deep and sad. If it is really depressed because of this, it does not mean that it is impossible. It's just that in my eyes, the mental quality of these children is too poor. Of course, those suicides may also be related to their national character, developed and mediocre society. When a country can eat and drink, it is not surprising that these people are vulnerable. As for the exact reason, I don't think I can figure it out. Pull away. I really don't know how to write afterthoughts. Back to the movie. After watching the film, I look back and find that the story is actually not too deep and complicated. It is just a depressed teenager (Hoshino) who protects himself in a cruel way and obtains pleasure from it. And people without such evil dispositions (such as Yuichi and Tsuda) resist in another way. Compromise, murder, or suicide. Because of their youth, fear, and daze, they do not know how to face the various injuries they encountered in their youth. Maybe it's because I haven't fully understood the plot, I hate Yuichi, and in my eyes, he can't be forgiven. Why endure Hoshino's torture? Even because he was unable to resist, because of autism, because of fear, Yuichi had no reason to bring Kuno to the warehouse. Yuichi is the cruelest person. He has no mercy from me. Even if he used to have a broken family, no father's love, even if he was bullied all the time, even if he was cowardly, even if he could endure Hoshino's torture, he would have no excuse to accept Hoshino's orders again and again, hurt Tsuda, and also. The girl I liked for a long time was taken to the warehouse and left to be ravaged by others. What's the use of crying? Yuichi, you said to Kuno, "Go in, yes, there is someone waiting for you inside", it was you who sent her into the deep pool, not the one who fell into it before you knew it, what right do you have to cry? ? Are you crying for your inability to rescue her? Shameful. Even if Yuichi kills Hoshino in the end, he doesn't deserve to be forgiven. He was never brave at all. The shots about Tsuda are clean and beautiful. Tsuda stole the man's wallet and ran out of Kazuichi on a fine morning. She said happily that he was in a good mood and fell asleep. It was as if home was leaving, and the man was a father or a brother, not a bed full of shame, and strange guests. She seemed to give in after venting her anger at Yoongi, got used to it, and was always happy like a child. The men all seemed to be kind to her, perhaps pity her young body, and her childlike cheeks. She has always felt clean and clear to me, like a spotless white flower, although I know that her inside has begun to erode. She looks like an ordinary girl, with a white shirt, black skirt, and two big braids at school. Even if you are hurt, you can still be kind and innocent. It didn't make him another Hoshino, and he didn't become as vicious as the girls in Kanzaki. Just forbearance. silent. With a bright smile, she can look up and watch the kite pass through the sun, soar in the pale blue sky that is clean and whitish, and she wants to sit on it and fly to the sky. Is she strong? maybe. In fact, she is really just a child. If she is not hurt, she is just a simple and cheerful ordinary girl. So we can see that she will show her childishness and overlay those pains. Tsuda once told Yuichi that Kuno is a very strong girl. Tsuda cried when Kuno took the position with his shaved head full of disdain. For the unforgettable encounter of Kuno, and also for the stubborn resistance of Kuno. Kuno chose to resist, while Tsuda really chose to fly to the sky. The lens Iwai uses here is beautiful. High tower, sunshine, blue sky, red kite shining through. Tsuda chases them all the way, happily learning from people how to release them. Everything is quiet and beautiful, bright and not depressing. No dull shades. People can temporarily forget those dark scenes before. Tsuda said to the professional kite flyers, I want to sit on it and fly to the sky. This is what she said to herself. Then, we saw her lying at the bottom of the tower, in an unclear pool of blood that was about the same color as the ground. Perhaps, at this moment, she also forgot all the painful past. These are some of my favorite shots in the whole film. I love it more than the endless green wheat fields. In fact, in this story, I pay more attention to Kuno and Tsuda, rather than Hoshino and Yuichi. I just want to see Kuno playing the piano as always with the hat on, and Tsuda dying in comforting joy at the end. And Hoshino and Yuichi, I think, I can't understand them. In fact, the film surprised me a little at the beginning, and attracted me: She was born on December 8, 1980, 22:50, ... her name is Lily Zhou. And I was also born on December 8, but 10 years later. She was born on December 8, 1980, 22:50,... Her name is Lily Zhou. And I was also born on December 8, but 10 years later. She was born on December 8, 1980, 22:50,... Her name is Lily Zhou. And I was also born on December 8, but 10 years later.
View more about All About Lily Chou-Chou reviews
