There are actually bugs.
First, when the heroine starts to have the strength, she will go to the boss's house, so direct! Why wait until the relatives are gone? In addition to such a high-risk career as a killer, didn't our lovely hostess expect that her high-profile behavior before will definitely make the BOSS stare at his Ma Ma and uncle!
Second, the boss died too hastily in the end. How does the lovely hostess know that the BOSS will open the hands-free when answering the phone? If the BOSS directly puts the phone next to the ear to answer, how can it be guaranteed that the dog can hear "eat"?
How did she know that he would definitely get in that car? And the BOSS didn't notice the two dogs from the beginning when he got on the car. What did the two dogs eat? The car swayed from side to side and rubbed like that, and the dog didn't say a word!
Anyway, I feel that the heroine seems to have taken care of her uncle Mama, and the heroine's halo is so powerful. However, the heroine is very calm when things happen, she looks good, she has a nice figure, she has a nice figure, and she has a nice figure. I like it very much. The last little thing that touched me was the emotional rendering of the hostess and her head in the church when they leaned on their heads. The conflicts and contradictions in the family were quite real, and the emotions were sincere. In fact, when I watched it, I remembered the domestic dog-blood drama I watched before. In most scripts, the heroines are killed by the whole family and the whole family, and then open the cheats. It feels that the routines of the movie are also quite similar, which is a bit clichéd.
But the key is that the hostess in "Deadly Black Orchid" is very pleasing, the character is bright, and the plot trend is also in line with the protagonist's character.
Unlike domestic dramas, after the hostess is wiped out and her family leaves a few tears, she can quickly talk about love carefreely. After his dearest person was killed, in the name of empty revenge, what he did was ruined without logic. Learn more about the routines of foreign gold-finger heroines, have more real emotions, and make more choices that are in line with the character's personality and the plot environment. The status quo of bad domestic dramas can be much better.
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