After a few years, I found some interesting points. The scene of the fierce battle scene is really shaken, but the first few times I didn't think there was any problem. The little nurse in the hospital was actually Zhao Liying more than ten years ago. The lame cannon was finally blown back to lame. There is a washbasin in the corner of the place where Guzidi lives near the mine, which is dedicated to the most lovely person. Zhang Hanyu put on an affectionate face, and he is still the coolest role to play this kind of emotional outburst. Recently, the serious face always standing in the command room has somewhat concealed his charm. The scene where the characters of Gu Zidi and Deng Chao stepped on a mine in the snow was really exciting, so when I think about the Korean War, my first reaction was this scene. The appearance of an ice sculpture is so beautiful... (Hahahaha, I can't think of any other words. After watching Changjin Lake and Jingangchuan, I think of this movie again. Sure enough, the assembly number is more moving, so I began to think about how to make war movies look better. Is it possible to fall into the ultimate theme of praising heroes from the perspective of a bystander? It seems that this is the case in recent war movies. The final result is that the plot is too scattered, and many characters have not explained the ending clearly, giving people the feeling of hanging up and not letting go. Wouldn’t it look better if Changjin Lake used the inheritance and handover of the Wu brothers, but this would become me and my father’s generation hhh. In short, I think there needs to be something other than praising heroes that is related to human nature and Feelings or thinking about war should be more moving.
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