It is indeed a zombie film made by the Japanese, which is completely different from the style of painting in Europe and the United States. In addition to the last highlight, Uncle Yang fought five scumbags with his friends throughout the whole process, but he is also very good at zombies, so it seems that everyone's combat strength is still matched (zombies are the funniest in the iron gate, European and American films It's all bang bang bang, this film is just there quietly in slow motion). Moreover, the Japanese have become zombies, and they are so conscientious and conscientious as social animals. They really sympathize with the zombies from the bottom of my heart. The setting of the high jumper is really good hahaha, it is really philosophical when you think about it carefully! The only fly in the ointment is the ending. The three of them actually drove into the car without taking anything to eat and drink. I was so anxious (Jing Han commented, "Even if you bring a few new clothes! all blood"). And such a small fresh ending of looking at each other in the sunset after the war and sailing away into the distance is actually not very meaningful and unsatisfactory, right? If I were the director, I would shoot Uncle Yang insisting to find cat food for the village flower. Isn't it good to echo back and forth? btw, sesame sauce is really beautiful, this makeup and hair are so beautiful, I really like it???
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