Perhaps this film should not be classified as a suspense film, and it is not a suspense film in the traditional sense at all. Although the surface is the shell of a suspense film, the relationship between people is still expressed in the bones.
In the end, the director did not give a clear answer as to who the murderer was. The audience follows Fukuyama Masaharu's perspective to explore the truth, and knows as much as he does, unlike many other films that have the perspective of God, so in the end, like Fukuyama Masaharu, they cannot judge what the real truth is.
Although we don't know what the real truth is, each of us will have a truth that we believe after reading it. This is the most interesting part of this film. There is no correct answer, only the answer you believe in. What is the final answer reflects the viewer's heart, so the film itself is also a container, which is loaded with the viewer's inner projection.
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