The whole film is filled with the temperament of madness and madness leached from the perennial melee and killing, and the anxiety and anxiety. It is complicated, strange, and thrilling.
One of the episodes that amazes me the most is Jing Ke's two-sentence dialogue with the King of Qin, who failed to stab Qin, with several swords in his body, leaning beside the pillar, which is very rich and chewable.
"King Qin's eyes were full of fear and anger. Trembling with tears, he said to Jing Ke, "Why do you want to kill me? you know what i'm going to do? I want to build a bigger country, where Qin and Liuguo can see and cannot see become one country. "
Jing Ke sneered slowly and said, "Fan Yuqi, ask me to tell you something, he didn't tell anyone about the Dazheng Palace."
How lonely he is.
Just two short sentences.
I feel that once a person wants to rise to greatness, he has to sacrifice everything in his life, let this cause take the lead and become the leader, and fully integrate himself into it. People are just an irrelevant and replaceable part, and this career is the The choice of the times.
King Qin, wrapped himself in a sense of sublime and brought himself into the midst of great achievements, has a strong illusion: there is such a huge power to rely on, which is enough to resist his own insignificance.
Jing Ke's words instantly shattered the illusion: as a living person, a generation of emperors, and thousands of miles of territory, you still can't keep anyone who is truly loyal to you, loves you, and understands you, and you can't catch people's hearts , can't grasp the parting, can't grasp the changes again and again.
The sense of insignificance he was awakened overwhelmed the grand narrative that had always "blinded" him, and the blood and blood that ruled the world was not a problem, but he still couldn't bear the insignificance and loneliness that he was born to face.
How lonely you and I are.
When I think of the interpretation of King Qin in "The Beauty of Antiquities in the Forbidden City", I also like it very much. It is attached here (slightly deleted), which can be compared with the movie to feel it.
"Jessica Rosen said, "The terracotta warriors are neither status symbols nor monumental statues; they are a physical analogue of an army. When necessary, their weapons will come in handy. For both cutlery and terracotta to be useful, they seem to have to achieve a level of fidelity in the precision and completeness of detail. "
So, behind this mighty army, I saw Qin Shihuang's fear. This mighty king, three hundred feet deep underground, a world he had never been to, turned out to be so weak, lonely, and hopeless.
In fact, Qin Shihuang has always been a person with no sense of security. Since this sick and weak boy with chicken breasts and a saddle nose was given to Zhao as a hostage by his grandfather, King Qin Zhaoxiang, his sense of security no longer exists. The Pain of a Prosperous Age" mentioned the depressive personality of Qin Shi Huang (then called Ying Zheng). The ferocity with which he later swept away Liuhe and swallowed eight wastes, as well as his ruthlessness with which he burned books and pit Confucian scholars, were the rebound of this depressive personality. His superiority and sadness are equally prominent. He used ferocity and blood to cover up his weakness and panic, so that after his death, he still needed protection like a baby.
Jessica Rosen said: "The first emperor of Qin was guarded by the famous army of terracotta warriors and horses, and many other tombs were closed with stone gates and huge heavy and carefully chiseled stones. The dead seemed to have a great fear of the outside world."
The Mausoleum of Qin Shihuang, no matter how magnificent it is, is nothing but a container for fear.
The size of the mausoleum was as big as his fear. "
The civilization and progress of human beings may come from the ill-will towards loneliness spit out by people of every age.
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