It's been a long time since I watched the movie, so let's write it down where you think of it~
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I once saw a sentence, to the effect that it is always a pity for a person to leave the world, because no matter what kind of person, his heart once had an extremely rich world.
However, that world may not have been seen before.
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This is a one-person gathering, and at the end, it seems to be just a one-person battle of beasts.
Everyone except one person is circling around 300,000 people, with no morality and no rivers and lakes. The way to get 300,000 is like a hunt in a zoo, so these people are like vultures, such as Huahua, ready to pounce on the only prey Zhou Zenong.
The director said that Hu Ge played a hopeless man. The director did not answer how he got to this stage one by one. His wife told Liu Ai'ai that Zhou Zenong told her to go out and earn money, and it would be five years after he left.
When I did the second brush, I tried my best to find a clue, for example, other people have no morality and no rivers and lakes. Zhou Zenong, however, wanted to be rational and moral. Blood splattered and bullets flew in the dark package, but the director treated all the background characters very indifferently.
In the face of all these surroundings, Zhou Zenong could only shoot a few shots in his mind towards the news newspaper describing the changes in the city.
Five years ago, ten years ago, how could he be? What kind of beauty and accident happened to him and his wife who didn't come to the station? How did he choose to become a car thief little boss? No, there is no answer. Because no one cares, the only people who care about Zhou Zenong are the police. There is only the last sentence of his evaluation, two words:
"Crazy."
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There is also a "one", Liu Ai'ai. Huang Jue said that she was the swimmer who accompanied Huahua. The former means that he is a man's prey, and the latter means that she also has no self and is attached to her boss.
She, and the coin-singing actresses in the circus, were like that. The director is not finished yet, let Zhou Zenong and Liu Ai'ai walk through a huge poster of city renderings.
They are not only the prey of others, zoom in, but also the prey of the city, or the jungle society. Can prey have a self?
The director spends a lot of space to show the interaction between Liu Ai'ai and Hu Ge, as if to say that no matter how one person falls into the bottom, it will be another person's hope. Under such predicament, Zhou Zenong's wife, who was supposed to come to the station, was replaced by his only trustee, a swimmer.
In other words, Liu Ai'ai, played by Gui Lunmei, is the real protagonist of the film: from the beginning as Huahua's tool, to the repeated trust and betrayal between her and Zhou Zenong, to the last scene of the film, she holds Yang Shujun tightly Hands walk side by side, eyes have hope and future.
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The translation of the English name of the movie is three words, Wild Goose Lake.
I saw a Zhihu netizen say that wild goose lake, wild goose lake, these three words are derived from a slang term in Shakespeare's "Romeo and Juliet", which means futile, wasted effort.
Switching to this movie can be said to be "destiny". Everyone's resistance to reality dissatisfaction time and time again has led to irreparable results——
Maoyan Maoer was dissatisfied that Zhou Zenong could have the best place for theft just after he was released from prison, and made a rude remark; Huang Mao was dissatisfied with his elder brother being scolded and shot them. Brother Ma felt that it was not a problem for the people below to fight so much, so he held a theft sports meeting. The cat's eye and the cat's ear were dissatisfied with the eldest brother being so sloppy, and the design killed Huang Mao.
Zhou Zenong was dissatisfied with the result of his subordinates, and pursued them, but killed the police by mistake. Yang Shujun was dissatisfied with her husband's failure to return for five years and caused such a big incident, but cooperating with the police resulted in the killing of her own younger brother. The dissatisfaction with the demolition area in the demolition area turned into an internal conflict. Huang Jue felt that the demolition was too much trouble, so he asked the swimmer to vent it, but Zhou Zenong beat him to the end.
The director filmed the wildness of Wild Goose Lake. They grow wildly and resolve their grievances brutally. The final result is futile. Maoyan Mao Er took revenge on Huang Mao and Zhou Zenong. In the end, he didn't get the site, and he killed himself. Brother Ma wanted to get a piece of the pie, but was eventually killed by a gun fire. Huahua died of greed for money, and Huang Jue died of greed.
These characters are like prey in the jungle, using wildness to solve problems, and eventually no one can get out of Wild Goose Lake.
Except for the last Liu Ai'ai, I think the director wants them to go out eventually, just like Liu Ai'ai once asked Zhou Zenong why they didn't go out.
Although she also smoked an extra cigarette, which led to a regrettable ending. 4
I like this movie very much, the camera language is very advanced. It does not judge the characters and blurs them out. I can always be curious about the fate of the characters in the movie.
And color. The colors should be compared. The colors of "Fireworks in the Day" are white and black, and the colors of "Southern Car" are black and red.
There is also a sound to compare, the night market scene is tense and quiet, and the director insists on black humor to find a popcorn uncle and suddenly sound.
And, leave it blank. For example, the train heading for the outside of the cloud, I remember in the beginning, when the train was heading for the outside of the cloud, Liu Aiai opened her mouth to speak, but she could only see her lips moving and the train ringing.
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