Whether it is the delicacy of the picture, the fullness of the storyline, or the seductiveness of the heroine, Mo has to win a lot. No matter what movie the stick makes, two things are indispensable: satirizing Korean politicians, and occasionally Korean humor, which is really effective.
Everyone, don't always complain about what happened to domestic films. Those directors can't help themselves. The political system of the Chinese Dynasty is like this. If the filming is a little too far, it will not be approved and will be returned for revision. There must be directors who are full of ambition, win glory for domestic films, and go their own way. Ning Hao's "No Man's Land" has compromised, his arms just can't twist his thighs.
Chinese films are not short of good directors, good actors, and even less money, but they have always brought disappointment and disappointment to the audience. Is it just because of politics? ? ?
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