(Don't like to detour)
I have seen the movie "Sister Sunshine Tao", I don't know what other people think, I think Chunhua is an angel who descended into the world. How lucky is Sunny to have Chunhua to take care of "her".
When you reach a certain age, while constantly encouraging yourself to be full of optimism, you will unknowingly pay more attention to the scars and sorrows that the world tries to cover up. I always wish there was an angel who gave all the people in the world three wishes. If you need health, give health; if you need hope, let him reap the fruit of hope; if you need gold and silver treasures, you will satisfy desires that are not greedy. I hope so, because life is not easy.
So, when I saw that Sunny passed through the blank period of growth and separation, re-gathered at Chunhua's funeral, and saw that kind of "public welfare" ending that was too complete, tears fell silently. In fact, I know that this is just a hope for hope, just like the heaven that accommodates good people in the next life, hanging in the blue sky, while the sinners living on the earth have to work hard in this life, and go through trials and tribulations.
We don’t need the expectation of “many years later”, we build a time tunnel in our minds all the time, from the technologically advanced modern times to any real historical site. South Korean director Kang Hyung-chul did a favor. He served as a liaison for a party. He fulfilled the collective memory of the past and retrieved his luxury dream, but he helped not only Sunny, but also us fans who were moved.
In the plot, the arrangement about Chunhua's near death is somewhat adventurous, especially in the opening paragraph. You must know that there is no big market for bitterness dramas in recent years. If there is not a series of light-hearted, humorous and crazy comedies to take over, the whole drama will probably only have a musty and dry taste of chewing bittern.
What I like the most is also the images and emotions that are reflected when I turn back in time as a teenager. The girls are beautiful because they are cute, and because beauty wants to praise them unconditionally. I say that their exaggerated acting skills are not divorced from the essence of life, but instead highlights a kind of humanistic spirit of the times. Sister Fiona said that life needs 2! That's right, only when we were fearless teenagers did we have such honest courage, and we had the confidence and frankness to reveal ourselves. 2 One 2, it would be healthier.
It's nice to be young! If you can travel back to the past. The transcendental temperament of the film is not only reflected in the abstract sequence of editing, but also in the overall structure of the modern-past-modern sandwich space. The details and lines also show the intention to please audiences of different ages. They use the way of crossing to dissolve the estrangement, and naturally erase the ideological barriers that cannot be communicated. Boney M's Sunny, Zhao Depei's "Dream", the Seven Princesses, WonderGirls, Sophie Marceau, the movie "First Love", and the words that I will definitely say when I am dreaming: I will grow up to be a painter, an actor, A scientist...
In short, the nostalgia complex in the play is everywhere, and I will only pick up a few typical ones. I still remember that in my school days, my knowledge of Western stars was limited to a few unusually dazzling stars, and the pictures of bodybuilder Schwarzenegger torn from magazines were pasted on the head of my uncle’s bed, the goddess Sue Fimaso has different aspirations for men and women, and Michael Burton, the prince of love songs, can sing the most touching love songs in the world, etc. It turns out that these are all traversable stories.
I think the screenwriter is a big fan of Sophie Marceau, Junho put headphones on Nami and listened to the music from the love of two people - Richard Sanderson's "Reality", which was completely moved to Sophie Marceau's movie "First Kiss" The bridge segment, you can see the degree of love. Of course, this arrangement is by no means contrived. No one doubts its credibility. It must be learned by boys from the movie. But there is a clever connection, and Junho used the same way of "striking a conversation" to Suzy again. As a result, the adult Junho has no relationship with Nami and Suzy anymore. As is often the case with life, it is the winner in the end, people have been pleasing life, not dominating.
I remember Lu Fang sang in an old love song, "I say my lover is old..." I had an illusion, as if all the things that nourish my heart are stored in my memories, and those old memories are really eternal and beautiful.
Perhaps, only when there is a sadness left over from the years in one's heart, can people unscrupulously favor the yellowish black and white in the memory in the colorful reality. It's a bit like a look of contempt in the taste of passers-by. After handing in the badge that belongs to the youth group, the freedom gained from maturity is obviously numb and outside the freedom of life after being fresh.
I like "Sunshine Sisters", as if drinking a placebo that resonates, every scene penetrates into my heart. It's hard to get rid of the sadness of my youth, and I pretend to giggle happily, and learn from those so-called heartless aunts who laugh. Then turn a blind eye to those tough guys who despise my emotional flooding, cut! We are from different planets, how do Martians understand Venusians?
Women are indeed easy to be tempted, in front of flowers, in front of designer bags, in front of mirrors, in front of good-looking soap operas, especially in retrospective narratives... As long as they are connected to love, friendship, love, and family, they will not refuse any kind of Touches that can irrigate emotional fertile soil. And movies can easily include all the elements that make women feel comfortable.
Zhang Ailing once wrote in the preface of "Wandering": In the communication of words, a novel is the shortest distance between two points. Even the most cordial prose around is the attitude towards familiar friends, and always keep a little distance. Only fiction can not respect privacy. But it is not to spy on others, but to identify with it more or less temporarily, like an actor immersed in a role, and it also becomes an experience of himself. In fact, everyone watching the movie is also browsing the silhouettes of themselves or others in different roles. What Miss Zhang Ailing is talking about is her words. If we travel to the future, there may be another form of art that can spy on life. Other people's is also ours.
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