I haven't read the comics, just because of the recommendation. The red particles of death in the first level of the movie truly restore the fear of death, and the tension is instantly filled. The interspersed characters' memories, social records and otaku plots are finally linked together at the end of the movie. The god who exists high in our hearts is likely to be the beggar who repaired the radio when everyone listens to the intermittent broadcast, and the otaku speaks of me to save the world. Well, maybe it's the sincere words that have really penetrated the close connection between manga and the world. The most important thing is that for the dull but kind-hearted middle-year-old boy, the hazy affection for childhood sweethearts in his heart cannot be the reason for him to like him, and the weak girls he rescued in the past will not become his important memories and become gods. What kind of life will be ushered in after his son, and whether Tiangu Wu, who won with him, will let the joy of fulfilling his long-cherished wish wash away the self-reflection before eating ice cream. The overall completion of the movie is 70%, and the points are deducted because the story is not clear and the story is not well told. The only thing we can be sure of after watching the movie is that the Tokyo Tower was finally saved due to the shutdown of the cube. As for whether the male protagonist still needs to organize the storage room after the disaster, that is another story.
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