I hate works that use gay themes as advertising. Whether it's art or business, it's a matter of principle! The standard of measure is the respect for the audience! Originally, it was difficult to make a good film on homosexual subjects. Even the eternal quarrel and tussle in "Happy Spring" is paved by their delicate and profound feelings. When this kind of feeling needs to be expressed in the language of the camera, there can be pictures that are as simple and inspirational as the heart is hard to change, or the sadness of youth like the blue door, but I think the feelings of the old fellow are quite complicated, involving the feudal system. The institutional culture of male superiority and the sympathy among women in that era. This kind of feeling feels heavy when I think about it, but I don't know how the director, screenwriter and two woodcarvers can handle this feeling like a farce.
I don't think I should blame the big octopus sucker-like feelings of Sister Bingbing for making up for the emptiness of self; at that time, people's ideas were limited in such a framework, and they criticized the Empress Dowager Cixi from the point of view of the 21st century. Do you find it fun to use your mobile phone? And I do believe that this film is not a lesbian film, and domestic violence is abhorrent, but the peaceful and peaceful expression of Jun Jixian when she read the sentence "Did your husband tell you that I love you" makes me think that her mentality is probably the same. But the scene where the director deals with Sister Bingbing peeping at the butcher and the good sister ML is really bad. You feel distressed that someone lives in a broken house and married a pig-killing man. You don't need to be sublimated to the point where watching ML is heart-rending, and you can touch yourself while watching it!
There are also a lot of shots of the two women sticking to their faces. How warm your uncle's scene was originally, two weak women cuddling with each other amid cultural violence, isn't there? But you want to keep getting closer to the camera to create an ambiguous atmosphere. I paid to come to the cinema to come to YY!
There are a lot of Hunan folk songs inserted in the movie. . . The music is inserted as lame as two people keep each other's feelings for each other! This is making a movie, not a description of real life. Director, what will happen if you set off the atmosphere a little bit!
In fact, these can be tolerated. . . The most unbearable are Sister Bingbing and Sister Zhixian! Why can the posters be so imaginative that when the movie has more ways of expressing it, it makes people want to sleep, laugh and leave? Sister Zhixian's facial features are too modern, and they are wasted alive, so they can only lie on the bed and pretend to be clouds. Sister Bingbing is still better in the 19th century. The appearance reminds me of sister Bingbing and Hui Niang Wanxin, who are companions of youth, and then the bold Chu Chu in the young Bao Qingtian and the young Zhang Sanfeng, who is firm on the outside and soft on the inside. . That's youth, no matter how much acting, you can't get the appearance of youth, no matter how bad your acting is, as long as you have the appearance of youth, there will still be a group of young teenagers and a group of vicissitudes of youth to miss.
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