Wandering, only in Paris.

Kaitlyn 2022-06-26 17:56:56

I especially love French movies. The performance of absurd and uninhibited plots often makes people feel detached from reality, but after thinking about it carefully, I feel that this is life.

Neither of the two protagonists in the movie has a protagonist halo. Fiona, an older girl from the Canadian countryside, and Dong, a middle-aged uncle who lives on the streets of Paris, are a wonderful combination, destined to spark a different kind of spark.

Fiona, a country girl, decided to go to Paris after receiving a letter from her aunt who had not seen her for many years in Paris. She also took a look at the long-awaited Paris in order to take care of her aunt. Slender, pale, with red hair, a green sweater, and a large red travel bag, this unremarkable heroine has a comic effect when she comes out. She has never seen the world, has never been out of a small village, and is excited to take travel photos when she sees the Eiffel Tower; her French is not good, her broken English French and exaggerated gestures are really a bit like "elegant" Paris Neither match. Yet she was kind. The ragged male protagonist invited her to dance, but she did not refuse him because she looked down on him; in the cemetery, she mistakenly thought that the male protagonist died in a fire, and cried sadly because of guilt; in order to find an aunt whom she had not seen for a long time, she climbed to the top of the Eiffel Tower despite the danger. And the male protagonist, Dong, is indeed a homeless man full of stupidity. He was in tatters, picking the food scraps left in the trash can to feed his stomach; he had a thick skin and followed his sweetheart regardless of the hostility and dislike of the other party. But he was silly and charming. Although he was so poor that he had only one dog left, he had to tip the waiter after a full meal; his speech in the cemetery church was unique but frank and lovely; when the master was in danger, he was calm and dependable.

These two grassroots, however, took risks all the way in the metropolis of Paris, laughing all the way, and finally, after sending Aunt Martha away, they were content and happy together. After watching it, our hearts are also warm, and we can't help feeling that stupid people have stupid blessings. But the background of this tender film is hard to ignore. Ruo Ruo’s fellow villager who has helped the heroine many times is not a good person, if Aunt Martha’s neighbors don’t want to cause trouble and help the old lady to avoid the “catch up” of the orphanage, if the church staff investigates the hero and heroine for secretly peeking at the coffin and arrests them If you don't let it go, will Fiona and Dong, two grassroots who have no background and no one know each other, still experience their Paris adventures with ups and downs without breaking the laughter? I deeply doubt it.

Wandering is a beautiful and romantic word, and wandering can only be found in Paris.

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