The 9th screening day of the main competition unit of the 11th Faro Island Film Festival will bring you "The Silence of the Lambs". The following will introduce you to front-line police detectives and bloodthirsty demons who approach the truth in an upside-down evaluation of black and white!
Min Hee, We:
Why are the lambs screaming? because life suddenly collapsed.
I know a little about her:
One step closer to the light. What are you looking for?
Sparrow
There is no doubt about its classicity. It explores the nuances of personal characters in a horror, suspense, and thriller setting.
Nofan:
The master of creating terrifying environments.The suspense created by the dialogue between the protagonist and Dr. Wright in the film makes an otherwise unattractive subject matter even more brilliant.
Fruit trees:
I watched it four times in total: when I was 5 years old, the dismemberment at the end was a childhood nightmare; when I was in college, I was impressed by its fascinating rhythm and narrative tension; when I was preparing for research, I regarded this film as a model for character building; revisit it, forget the excitement and rational analysis of the clip, and immerse yourself in an advanced sense of horror.
Bob_Chow:
Everything is mentioned but nothing is well explained. The imagery and atmosphere that started to set off still gradually fall into the back and forth cycle of "finding-result-event-finding" instead of delicately "writing" or "painting." Many things slipped for a few breaths, whether it was Doctor Hannibal or the murderer, the really powerful penetrating dialogue or the imagery was loose and scarce, a dance of escape and a sewing stuck firmly in the middle of the linear tension, did not stand up. Men's gaze and feminism are particularly prominent in the first half, but the final result is only to break away from the organization to detect this point alone, and this description does not break through expectations. The mutation of the moth, the double meaning of the lamb (religion & sex), the text is too obvious, but the image is weakened. All the information is spread out by means of dialogue and investigation (with the doctor and the museum staff), lacking a little sense of surprise, the promotion is still in the mode. The revenge at the end breaks everything, and it's a standard pseudo-open ending without sincerity.
Nobody: At Midnight
Judging from the expression of feminism, this film is not even inferior to the feminist masterpiece "The Endless Flower" of the same year, but is more subtle and subtle. From the heroine walking into the elevator surrounded by men, to the naked sexual harassment of the prison warden, to the crime scene being looked at by a group of male police officers until she could barely lift her head, while the seemingly cordial and trustworthy male boss used a kind of friendship With a heavy responsibility and a future-related attitude, he issued a turbulent order to her. Until she and Hannibal finally face each other, she must dig up her own scars and take the initiative to suffer exploitation in exchange for clues, help, and self-sacrifice by sharing the victim's experience to find out the truth, and what's even more terrifying is that everything around her is allowing it to happen. She felt like Wang Jiazhi, "It will not only dig into my body but also dig deeper and deeper into my heart like a snake." I have to let it in like a slave. " The final reward for her was that there was a medal of merit on her shoulders; Hannibal took nourishment from her story, broke free from shackles, and tasted fresh blood again. This is the ultimate feedback of female power, black and cruel.
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