The whole film is violating the screenwriting principles of a good action film and suspense film everywhere.
For example: the male protagonist randomly finds the tent where the kidnapped female protagonist is located; casually leads a group of people to dig in the depths of the German camp; when entering the snake pit and needs to burn the snake, there is a gasoline barrel; casually lying on the German submarine and mixing in The base, and then just got a bazooka and mixed it up... I mean, with so many difficult operations, there is no point in explaining how the protagonist did it. The screenwriter wanted the protagonist to appear there, so he appeared. There is no amazing solution to the final big crisis. The protagonist survived with his eyes closed, and God helped him destroy the bad guys. It's the botched last-minute rescue.
Don't say that this is a film from 30 years ago, and don't say that you don't need to be strict with the plot logic of an action movie. No good work of any era or type will ignore rationality to such an extent.
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