The three-star + one-star era bonus should be considered an innovation at that time.
Characterization: Characterization is the driving force of the whole film, without the characters growing, the whole film will be limp. Spider-Man I is excellent enough in the whole character creation, from the release of criminals wanton revenge, to remorse and self-realization, from the green devil's deliberate bewitching, to Jane Jane's kiss, every step of the character's growth is to see. owned. Even a villain like the Green Devil is stepping into the abyss step by step in the movie, which is described as meticulous. Of course, the role of Willem Dafoe's acting school in it can be said to be indispensable. Plot: The whole article deliberately avoids the discussion of procedural justice, and deletes the entanglement of complicated love, which is very good. In the early stage of the wrestling competition, the robber was released, the uncle died, Spider-Man grew up in one go, the media reported maliciously in the mid-term, doubted his own values, and later hurt Spider-Man's beloved, the tram problem, which can be regarded as a template for superhero movies. But it is clear that the director did not polish each specific event well enough to achieve the desired effect. Since Spider-Man is so multi-faceted and has greater ambitions, it is obviously not for children at all. Why should it be a children's movie with complex characters?
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