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Gilroy at the pinnacle
Leann 2022-04-24 07:01:02
Dan Gilroy uses an absurd and cunning narrative style, and the image performance of the needle hidden in the cotton, presents the audience with a classic blockbuster. The extraordinary thing about the film is that it does not overly denounce the greedy side of human nature and show the inner redemption of the protagonist, but It is the hope to dig the deepest level of the core of human morality, and when faced with it, human beings' reactions and choices. In order to better shape the image of the protagonist, Jack lost 18 pounds, and his excellent performance added a lot to the film. The photography of the film is also remarkable, the lighting effects are realistic, and all the dark environments do not feel deliberate traces, which are quite natural. Several car chase scenes in the film are comparable to professional blockbusters. ?
Extended Reading
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Kellie 2021-10-20 19:00:08
This is a perverted version of the American dream. The quality of receiving guests has been getting better and better in the past two years. Basically, I have never filmed bad films. The acting skills are also very popular, especially the eye-catching scenes, from "End of Watch" to "Prisoners". From "Enemy" to the current "Nightcrawler", every movie has surprises, and every movie is improving. This year's acting performance is worth a nomination for this year's Golden Image Award, but I personally want to watch the guests and take some eye-catching photos. Light comedy
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Carmela 2021-10-20 19:00:07
TIFF 2014 best feature film, a sick&mad film that must be hotly discussed after the release, the director Q&A said that his script creation was inspired by young people’s desire to find a job (internship). Jack with facial paralysis is super suitable for this blackened, MLM teacher. Yes, a self-taught, hot news photographer who talks about tuberculosis. The best car chase scene of the year, the best plot turn of the year, the second perverted role of the year (second only to gone girl).
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Rick: Hey man don't film that, he's one of us
Lou Bloom: Not anymore, Rick, we're professionals, he's a sale
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Lou Bloom: I'm a hard worker. I set high goals, and I've been told that I'm persistent. Now, I'm not fooling myself, sir. Having been raised with the self esteem movement so popular in schools, I used to expect my needs to be considered. But I know that these days, our culture no long caters to the job loyalty that could be promised to earlier generations. What I believe, sir, is that good thinks come to those who work their asses off. And that people such as yourself, who reached the top of the mountain didn't just fall there. My motto is, if you want to win the lottery, you have to make the money to buy the ticket.