The original intention to find this movie was to search for road movies, and of course, with the geek director David Lynch (a director who can't express sex, drugs, and violence), Nicholas Cage (producing junk movies and good movies at the same time), Laura Dunn (the previous step is Brave New World) is related, and it makes me more interested. I personally think that for American films, road films are a necessary choice for expressing people's emotions and pursuit of freedom. This feeling is what I found while watching Jack Kerouac's "On the Road". The immigration country of the United States and the pursuit of freedom as the foundation of the country gave its people the greatest right to pursue individual freedom. As a higher animal, people are not inferior and happier, because the desire based on high IQ cannot be expressed simply. Thinking itself is the original sin of human suffering. The experience in the process of human growth, as a natural nature, is bound to be constantly squeezed, distorted, and guided, and the result is higher or lower, more or less difficult to release repression. The road film gives the director a good medium to fully express the narrative. Often when the heroes and heroines cannot clarify their lives, they will jump into the car and go on the road, hoping that they will need life explanation and spiritual sustenance on the road or in the future that they are running towards. On the street, chance encounters, sex and violence are such spirits. The best brushes on the journey, they cruelly and vividly gave the protagonist a vivid mental anatomy. In this film, the protagonist bears the lie and the mental pressure of the black past. The heroine is also burned by the past father who flashes from time to time and is burned by her father. My friend's painful memories of rape are always stinging. They use sex to fully release their dissatisfaction and confusion about life, hope and get relief from the ultimate satisfaction of the flesh, but in reality, this is just a short moment, which will inevitably make people get the illusion from the climax. Back to the world. Love itself seems to be a yoke and burden. Human nature’s desire for it has to be cautiously not touched with reality. However, this separation of spirit and behavior itself brings greater pain and potential dissatisfaction. The film actually gives a happy ending. When the actor stands on the roof of the car with the heroine, and after crying and sings "Tender Love Me", it seems that the two have finally found their life and spiritual sustenance. , This song is the male protagonist’s belief in pure love, a promise to his true life partner, and the female protagonist is also a symbol of the ultimate pursuit of happiness in pain and illusion.
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Wild at Heart reviews