our respective lives

Noelia 2022-04-19 09:01:13

How should you live alone in such a city?

In such a city, how can we relieve our loneliness?

In a city like this, it all goes on...as before

. "In any city, you walk. You pass someone, someone bumps into you. In Los Angeles, no one touches you. We Always hiding behind metal and glass. We experience that long-lost feeling of being touched by bumping into each other." The

Oscar "Best Picture" "Crash" once attracted criticism, just like the social reality it reflected, Everyone always looks at others with prejudice. People put "movies on racial issues", "films in Los Angeles", "movies on social issues", or "best picture" before it, just as people put "gay movies" before "Brokeback Mountain" Such a title is the same, whether it is a front or a side, in short, we have hastily defined them before we understand them.

It's hard to say "Crash" in one sentence. Its performance is too close to life itself, a group play, and there are many clues, but one thing is for sure, it is by no means a matter of reflecting the "race issue", even , it is not at all.

A righteous, racially unbiased young cop shot a black man who had no ill will towards him just to let him know that they both like to keep the same trinket in the car, instead, the night before, with him A patrolman who worked with him, after molesting a black woman, desperately saved her the next day.

The story of these two people is desperate. David Fincher has this line in "Fight Club": "What I do doesn't mean who I am."

What's even more desperate is that a chattering black angry youth is trying to grab another black man's car, and they are at each other's throats, and it seems that some prejudice from white people is not prejudice. But another locksmith lives in prejudice, but still has a heart of gold. But I was not pleased with his heart of gold, thinking that I had found some kind of solace in this cold city, and he brought me an even more unforgettable sense of loss. We have lost a standard. What we face is not a racial issue, but the increasingly critical eyes and narrower minds of all human beings.

The most terrifying story in the whole film is also the most tender one:

in order to dispel his daughter's fear of guns and bullets, the man who repaired the lock told his daughter that when he was 5 years old, a fairy gave him a An invisible cloak, put on this invulnerable cloak, he no longer has to worry about any bullets, he gave this "cloak" to his daughter. Later, the man who repaired the lock offended a Persian who came to trouble with a gun. His daughter saw this scene in the house and remembered that her father's cloak had been given to herself, and ran out to protect her father, Persian The man happened to pull the trigger at this moment. Everyone was terrified, but a miracle happened and the little girl was unscathed. In fact, the audience has already guessed that the Persian pistol must be empty, but what if it is not?

"She's my angel," the old man who shot said to his daughter afterwards. In fact, many killings are just because of the impetuousness of human beings, and no one of them is willing to believe it, and no one is willing to listen to what they say. As an audience, we can see the living conditions of everyone in this film, but the people in the film are often close to each other, and God looks at the one-sided friendship of us people like this. I wonder if he is also disappointed. ?

The so-called fraternity is so pale in the face of coincidence and human arrogance that it cannot save anything. Likewise, how terrible it is that pure lives can sometimes be saved only by coincidence. That's why when some people say that people are willing to believe such an "angel" story, I don't want to believe it. What I want to believe is that the old man didn't shoot at all.

In fact, the "race problem" is "the problem of our unwillingness to understand the other race". Before we could hear what the others were saying, we had our guns drawn, "Bang!"

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Extended Reading
  • Skylar 2022-03-25 09:01:05

    It is indeed better than "Brokeback Mountain" to win the Oscar. This kind of multi-line narrative style movie is the first most impressive movie I watched. In order to present the contradictions, frictions and fusions of multi-ethnic and multi-cultural, the film weaves a fine interpersonal network. Under the overall situation of circular narrative, fierce dramatic conflicts occur between unrelated people. And this non-linear time axis eventually defeated everyone’s psychological line of defense with a sense of fate that could not resist

  • Josefa 2022-03-23 09:01:12

    "Crash" (2004) is a terrible film because very few American films try to explore racism. Although the intention is good, the film does not break away from a melancholy plot. This melancholy is rooted in the desperate lives of wealthy whites in the suburbs, ambitious African-American police officers, Persian businessmen, and angry street wanderers. Not only did these people not show any psychological or intellectual complexity, but it is unreasonable to explain racism simply with a film describing individual loneliness, because "Crash" did not point out the powerful forces behind American racism. Economic and political power. The ending of the film is suggestive: a group of released Asian immigrants walks helplessly on the streets of New York, implying that although the protagonist of the film has tried his best to fight for justice, he has not brought any hope for the future of these unnamed aliens.

Crash quotes

  • Graham: [on the phone] Mom, I can't talk to you right now, okay? I'm having sex with a white woman.

    [hangs up, and Ria gets out of bed]

    Graham: OK, where were we?

    Ria: I was white, and you were about to jerk off in the shower.

    Graham: Oh, shit. Come on. I would have said you were Mexican, but I don't think it would have pissed her off as much.

    Ria: Why do you keep everybody a certain distance, huh? What, you start to feel something and panic?

    Graham: Come on, Maria. You're just pissed 'cause I answered the phone.

    Ria: That's just where I begin to get pissed. I mean, really, what kind of man speaks to his mother that way, huh?

    Graham: Oh, this is about my mother. What do you know about my mother?

    Ria: If I was your father, I'd kick your fucking ass.

    Graham: OK, I was raised badly. Why don't you take your clothes off, get back into bed, and teach me a lesson?

    Ria: You want a lesson? I'll give you a lesson. How 'bout a geography lesson? My father's from Puerto Rico. My mother's from El Salvador. Neither one of those is Mexico.

    Graham: Ah. Well then I guess the big mystery is, who gathered all those remarkably different cultures together and taught them all how to park their cars on their lawns?

  • Jean: Do you want to hear something funny?

    Maria: What's that Mrs. Jean?

    Jean: You're the best friend I've got.