I like the opening music. The quiet Scottish bagpipes are always full of amorous feelings, swept in with the infinite life force and mysterious atmosphere in the sub-frigid forest, which makes people feel refreshed in body and mind. The tall forest that is always wrapped in the cool mist of tulle is different from the warm and moist tropical plants. She is like a young woman who has been drained of water by the years but has added charm. She has a mature and profound charm, which sometimes makes people feel Fear. Do you like such a woman? I can't help but yearn for it.
In the western traditional ancient stories, there are forests, kingdoms, castles, princesses. Contrast the ancient Chinese stories: the fairy, the heaven; or the princess, the emperor; or the child, the parent. I can't think of any Chinese stories that put the protagonist in nature. Bang, I'm afraid this is the most fundamental difference, right? Of course I'm just thinking. Jack London's famous short story "The Call of the Wild" is one of my favorite stories. Desire is already there, thriving from the dust; after deep sleep, the wild returns. Since then, I like the stories of animals more than people, or that animals are easier to move me. It turns out that "I am a natural person" is not a whim.
Merida's fiery red hair attracted everyone's attention. It wasn't smooth, but it was full of vitality. It reminded me of Lola who was running fast. In that film, Lola's red hair and fast running surpassed all movie factors, and became the last backbone that remained in my memory after repeated filtering.
My thoughts are scrambling with the plot of the movie, and I still don't know how, or whether to sort them out, because I really like the feeling of interactive racing against the story, alternately surpassing. It's as if I said before the contest of three suitors: Father gave me a bow, and I will use it to win my destiny. At the end of the game, Merida drew the full moon and said: Use the arrow to win back my freedom! It's like Eleanor who turned into a bear was happily catching fish in the stream and I said: It is also fun to become a bear, but will she really turn into a bear? After catching the fish, Eleanor slowly walked into the forest and turned around to face Merida with a hideous face.
What troubles me is that because I was so obsessed with the inspiring sentences and details in the film, I missed the telling of fate at the beginning of the film, and I don't know if I missed more. So I tried to put those few words aside, and I looked back and thought about what else I remembered besides those sentences:
bravery. Who is brave? Is it Merida? I think there's also Eleanor. Why be brave? Are you brave to break the stereotype and pursue the freedom of body and mind? What is the relationship between freedom and destiny? Is fate doomed? Who decides? How to decide? Destined to what extent? ...
Destiny, destined to be the bondage of freedom? Is it an enemy of liberty? Does the pursuit of freedom have to overthrow fate? ...
is there a destined freedom? If everyone's fate is in our hearts - if fate isn't a genie's mischief, a bullseye, witch's shit magic - if fate is in each of us, isn't it? Saying that freedom is also up to us? . . . Brave, brave to do
what? Bravely see yourself, see your heart? Bravely to decide your own destiny? Witch's words: If you want to change your destiny, you must first examine your heart and heal the rift blinded by vanity. Empty Valley Echoes!
What is a bear? strength? Wild? evil? A rift in vanity? Inflated desire? Isn't that freedom? But that's what the film praises, it shouldn't be. Why not? Does it mean that freedom should be the birthright of everyone, and desire is the ambition to control and change others? ...
what is a person? restraint? friendly? tolerate? Love? ...born as human beings destined to dance in shackles. That spirituality, which is superior to other animals, has also become a crystal shackle inscribed with the words of civilization, strangling our soul's throat and pressing on our soul's shoulders. Therefore, people are born to suffer. The destiny guided by the genie is not the destiny of one person, but the destiny of the big - as small as a family, a group, as large as a country, a history - the big destiny in which everyone is in, it is destiny that guides them to Destroying Modu, everything is the choice of fate. What we need to recognize is not our personal destiny, but our own role in the great destiny—although most of our roles are tiny ants, but after all, some people are not.
Accepting fate is not admitting defeat, not bowing to fate, but recognizing one's own destiny and recognizing one's own destiny. Courage alone is not enough, and only wisdom is not enough. Without either courage or wisdom, people cannot recognize their own destiny. And about bravery and wisdom, it seems that Eleanor has taught us more than Merida. Audrey Hepburn famously said that "a woman's charm is proportional to her age" (the original words are unknown, probably meaning). Merida's bravery is reflected in the courage to break the shackles and conventions, while Eleanor's bravery is reflected in the calm face (not referring to becoming a bear, the queen must have been a young princess), tenacious guardianship and deep Love. If Merida is a sharp sword, then Eleanor should be a dense shield. What she represents is not the shackles of freedom, but the fences that guard the homeland, and she ultimately supports and teaches Merida how to win her freedom without bringing disaster to the country. I swear I'm not preaching, I'm just talking about movies, why do I feel like a mother the more I talk about it! -_-!!!
Language is lacking, or thinking is really limited, and it can't always stretch farther and be more open-minded. Whether I like it or not, so many sentences are written as if they were intentionally leading something, which is really annoying to me! Is it because the philosophical propositions about fate are too concentrated and people's thinking is too similar?
I used to be very resistant to watching Mandarin dubbed movies, but from today, in fact, because the dubbed version has no subtitles, I won't waste a lot of time and eyes watching the subtitles, and I can write their names at will, such as : "Beautiful" and "I love you", hehe! By the way, the king is so cute, he acts like a spoiled child, and even directly participates in fights, hahaha!
The magic was finally released.
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